Showing posts with label memories. Show all posts
Showing posts with label memories. Show all posts

Saturday, February 28, 2026

first kiss

it wasn't momentous

several of us had gathered
at our twin friends' place
above a vfw hall
with the plan
to pile into a vw bus
for a night
of christmas carols

anna held mistletoe
above her head
and beckoned me
i obeyed
obliged

i think i was sixteen
she would have been fifteen
i suspect now
what i didn't consider then
that this was not her
first kiss

maria
her best friend
my one-time crush
stood by
and i wonder
still
all these years later
if it all was
just
for
a
laugh

 

part II

 

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Monday, January 12, 2026

The Last Christmas

Me, Penny, Allison, Zachary in a group photograph in front of the Christmas tree. Photo taken via self-timer.
Christmas, 1994 — ©2026 Patrick T. Power

You couldn't possibly tell from the looks on our faces that this would be our last Christmas together as a family. But less than two months later, just before Zachary's tenth birthday, it all would come to a screeching halt.

As I continue to scan negatives from that period in my life—our lives—it is quite difficult to not also continue to process all that happened in the fifteen years leading up to that moment. I recall so many of my own missteps and misdeeds along the way, but mostly, I focus on the lack of real conversation about our marriage. I was, as Maggie Estep has so eloquently put it, an emotional idiot. I was unable to speak to Penny about the things that troubled me, whether it be about work or our relationship. Maybe because I was afraid to appear weak or fragile. Maybe because I was weak. Conversely, she chose not to talk to me, and instead talked to her friends, to an astrologer, and to her therapist. ("My therapist feels sorry for you.") I think she even might have talked to my older brother, who coincidentally left his wife not long before our split.

Anyway, I have been going down this little trip down memory lane for maybe a month or two. It's pretty inevitable, I suppose, to dwell on that period of time as the images appear on my screen, and to think about them and feel something, but instead of continuing to bottle up the thoughts and feelings I've held onto for so many years, I've decided to write about them. I've chosen, however, to not really promote these posts via Facebook... I'll just post and move on. If someone stumbles upon them and reads them, fine, but I'm not going to try to attract eyeballs. These posts are mostly intended for me to put into written form things I perhaps should have been saying with my mouth many years ago.

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

If you're interested in commenting, please sign up at Blogger to do so. The spammers have yet again found a way to ruin something, so I've configured this blog to accept only comments I've read first.

Friday, December 26, 2025

did we almost kiss

you'd think
we would have

we were married
after all

but no
you turned away

i wish
i could recall
which film we had just seen
at that theatre
that no longer exists

something tells me
it was
the war of the roses
which was all too
predictive
of our lives to come

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

If you're interested in commenting, please sign up at Blogger to do so. The spammers have yet again found a way to ruin something, so I've configured this blog to accept only comments I've read first.

Thursday, December 25, 2025

Sandy

Polaroid photograph of kitten Sandy sitting on the back of a leather-y chair looking directly into the camera
Sandy — ©2025 Patrick T. Power

As I was going through my piles of negatives, deciding which ones to start scanning, I came across this one, which was the first frame of a series of photographs I'd taken of dried flowers, none of which are really any good.

Sandy, so named by my daughter, I believe, was a kitten we'd agreed to take in from our babysitter, whose cat had recently had a litter. We already had an eleven-year old cat at the time, but she was a bit on the ornery side most of the time. Sandy was playful and seemed to like our company.

I'm guessing that this photo was taken in August or so of 1990. I had recently purchased a used medium format camera, a Mamiya RB67 (which I still have), with the notion of doing some freelance work with it on the side. I also had purchased a lighting kit, and set up a makeshift studio in our basement, if for no other reason than to practice. Several times, the kids modeled for me, but in this case, as I noted, I was photographing a dried bouquet of flowers, which might have been from Penny's and my recent wedding anniversary, when Sandy decided to check things out.

Anyway, had I chosen some other day to scan the negatives, it probably wouldn't have hit me as hard, but as the image of Sandy came up on my screen during the preview scan, it occurred to me that it was Christmas Eve of that year that Sandy took to the back of our bedroom closet and died. It's certainly not the happiest of Christmas memories, but this picture brought it all back.

EDIT TO ADD (13 January 2026): Scanning some photographs from Christmas Day, 1991, I came across a couple of photographs of Sandy, so it must have been New Year's Eve that she died.

Polaroid photograph of an older Sandy sitting on an armchair in front of a backdrop
Older Sandy — ©2025 Patrick T. Power

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Monday, May 26, 2025

Retouched

ALT TEXT: A black-and-white triptych of one photo of my dad in three phases of retouching. The first, at left, is the unretouched original scanned image; the middle is a screenshot of the photo in Photoshop with all of the cloning circles showing (there are a LOT), and the third is the final, retouched image. The photo likely was taken sometime in the  late-1940s in Staten Island, New York, after he'd met and married my mom. In the photo, he is in the lower left corner (taking up a little over a quarter of the frame) sitting on the front edge of a chair looking to his left (photo's right), his elbows resting on his knees, his left hand holding his right hand (sort of) which has a cigarette between the index and middle fingers. He has black, short-ish cropped hair and is wearing a white shirt and dark pants.
Retouching Dad ©2024 Patrick T. Power

NOTE: I've decided to abandon my Substack account because of that platform's decision to create a partnership with right-winger Bari Weiss's organization. I will migrate what few posts I've published there to this site. This post was originally published on 27 May 2024. I've since done some minor editing

Today we in the United States observe Memorial Day. It is also the thirty-second anniversary of my dad's death, so I'm veering a bit from writing about my own photographs.

Eleven years ago, I scanned virtually all of the old photographs I somehow managed to wriggle away from my mom years before, and at the time, this one struck me as one I'd either not seen or—more likely—hadn't paid much attention to. My guess is that it was taken sometime in the late 1940s—before I was born—and almost certainly in Staten Island, New York, where my parents had met during World War II, married (in 1945), and lived for several years before moving to Toledo, Ohio, where Dad had grown up. The cigarette in his hand was likely a Lucky Strike.

I didn't have a particularly close relationship with Dad. He was of the authoritarian ilk when I was growing up, so I paid more respect to his temper than I did to him, but he mellowed quite a bit after his youngest son Jim (I was the third of four1) got into high school. Since his death, I have given a lot of thought to him, our relationship, and his life, which I honestly know so little about because he didn't talk all that much about it. Nor did my brothers and I prod him very much. I've written a lot about Dad over the course of the last twenty years, some of which has gotten people riled because despite that he was far and away a good person, he wasn't a saint, but it's worth remembering the bad stuff, too, in order to better appreciate the good stuff. I'm not going to rehash (much) my earlier writings, mostly just tell a few facts as I know them. I'll edit this if corrections or clarifications roll in.

Born in Chicago, Illinois on 29 January 1921 to Robert Elay Power and Olive Belle Cullison, Dad grew up in a fairly large family.

Photograph of my dad's mother and his siblings. Brother Rob is in the front, kneeling and wearing a Budweiser t-shirt; immediately behind him is his mother, with her hands on his shoulders; to Grandma's left in the photo is Georgetta; to Grandma's right is Virginia. In the back are Richard, Dad, Gertrude, Mary Belle, and Clara. Virginia died in 1987, so I place the photo as circa 1985.
Grandma and her children

He had three brothers2 and five sisters, with sixteen years separating them. Clara was the oldest, then came Georgetta, Dad, Rob, Virginia, Gertrude, Mary Belle, Lloyd, and Richard. His father—like my mom's mother—died before I was born. His mother had so many grandkids—sixteen—while I was growing up that I barely knew her nor she me.3 She lived with Mary Belle and her family, so most of our family gatherings would take place at their home, first on Pool Street in Toledo, and later "out in the country" on Curtice Road in Northwood. Grandma had grown up in Indiana and moved around a bit with her husband, who had been born either in Kentucky or Mount Vernon, Ohio depending upon which document you want to believe. Her kids were born in various locales in Indiana (Clara, Geor, Mary Belle, Lloyd), Illinois (Dad, Vir, Rob), Minnesota (Gert), and Toledo (Richard), where the family eventually settled. Just about the only thing I knew about Dad's dad was that he made candy.

What I know about my dad, though, was mostly learned from observation and experience. Although I don't believe he lived very long in Chicago, he was a White Sox fan his entire life going forward. There was little else I knew about his connection with the place, except that Rob, too, was born in or near Chicago. He played baseball and softball until he moved back to Toledo after getting married, and for a little while after that, but I never saw him play. He swung a bat left-handed while throwing right-handed (as did my younger brother Jim, whether by DNA or by emulation). We occasionally played catch in the backyard, but about the only advice I'd gotten from him that I recall was more of an admonishment for trying to throw curve balls.

A black-and-white group photograph of seven men taken on a baseball/softball field in Staten Island likely in 1947 when Dad played for the Victory Diner softball team. Three are crouched down in the front, three are standing behind them, and one is bent over at the waist and peeking through a small gap between the two men on the right in the back. My dad is in the back on the left, and he is the only one not looking at the camera. He's looking down in the direction of the person in the middle front, who us holding a cigarette between the index and middle fingers of his right hand. All three in the front are wearing ball caps, as is my dad and the fellow at back right. Tom Fahey, who married my mom's maid of honour, is the only person I recognize... he's at front left in the picture.
Dad and team, circa 1946 to 1950

He never told stories about playing ball, although Mom told one in which he was on second base in a game when Rob came to bat. Rob got a hit and as Dad was rounding third base he slipped and fell at the same time Rob slipped and fell rounding first base. I can imagine Mom laughing at it and him being pissed off that she found it funny. At a gathering at the funeral home the night before his funeral mass and burial, the priest asked if anyone wanted to speak up about Dad, and after a silence of about ten seconds, his brother and best friend Rob stood up and claimed, "I was the better ball player!" getting the last word in on what was no doubt a long-running light-hearted debate.

A colour photograph of my dad at lower left, sitting at our kitchen table with a Stroh's beer bottle in front of him. His arms are crossed and he appears to be listening to someone out of the picture to the left. His brother Rob is standing in the middle of the photograph, wearing a blue down winter coat. He's smiling at the camera, and has his hands somewhat in the position of pulling the jacket open. Over his right shoulder is a chalkboard that reads Daily Memo Board at the top and has various possible grocery items printed in three columns on it. In an open space at the bottom are two handwritten columns which read We and Them, and a score of 5 (We) to 1 (Them). The score is illustrated incorrectly with five vertical chalk lines and one strikethrough horizontal line, versus four vertical lines plus the horizontal to equal five. In addition to the chalkboard, there is a beige wall landline phone behind Rob's head, and a Coca-Cola day-by-day calendar on the back porch wall, which is about seven feet behind Rob and over his left shoulder.
Dad and Rob, circa 1973

Before enlisting in the Navy, and before meeting Mom, dad had joined the Merchant Marines, and he had to have been stationed on the east coast at the time as he enlisted in the Navy in New York. I have photos of him in his Navy blues that were taken on his wedding day—one of the few clues that he was in the Navy because, again, he never talked about his past. He occasionally mentioned little bits of biographical information, such as having attended Raymer Elementary School and, briefly, Macomber High School, but beyond that, not much—at least not to me.

He golfed. A lot. And, of course, he swung from the left side. He would golf nearly every Saturday and Sunday from early spring to late autumn, and I accompanied him but a couple of times to carry his bag. Only once did I golf with him, a day made even more memorable because one of our foursome, Rick Mitchell (Jim being the fourth), was hit on the head by a golf ball on the first green just as he missed a four- or five-foot putt. We all thought he was screwing around when he fell to the ground—an overly dramatic reaction to having missed the putt—only to find that he'd been knocked momentarily unconscious.

Dad worked as a refrigeration mechanic for Coca-Cola for twenty years of his life, and did a little freelance work at the same time (J. Power Service, Mom kept his books). Prior to that he'd worked on the railroad and at a Pure oil refinery, and possibly for a butcher before the Merchant Marines and the Navy. A butcher, Harry Gottesman, is listed as a reference on Dad's enlistment application but I doubt I'll ever know for sure if he worked for him. His work for Coke meant we drank a lot of Coke and Sprite (his preference) and Tab over the course of twenty years. It also meant frequent family trips to Inky's Italian restaurant not far from the Coke plant, as he provided service for their Coke machines and had developed a friendship with the proprietor, Frank Incorvaia, with whom he would become golf buddies. My first experience with tipping came at Inky's, when as we were getting up to leave one time, I noticed Dad had left money lying on the table. I grabbed it and gave it to him telling him he'd forgotten it.

Dad didn't read a lot, but I do recall he read the occasional Louis L'Amour novel and, I'm pretty sure, Bury My Heart At Wounded Knee, which seemed to sit on the bookshelf in our house for ages. He developed an affinity for the western United States, I think, after having worked either for the Civilian Conservation Corps or possibly the National Youth Administration before joining the Merchant Marines. But again, not having spoken to him about this stuff, I can only guess that happened when he was 18 or so. Jim says that he talked to him about it and that Dad and Rob were teens "14 15 or 16" but that seems pretty young to me. Dad was eighteen months older than Rob, so maybe Rob was 16.

I have photographs from trips Dad took to Idaho, Wyoming, Utah, Colorado, and Nevada, North Dakota… all with dates on them from 1986 to 1989 but I'm at a loss as to details. I recall clearly that he went with Rob once because they talked of driving with the windows up on hot days because open windows equaled lower gas mileage (that's what I recall anyway). This one I'm quite sure was taken right about here at Lake Lowell, just a little west of Boise, Idaho, but there's no date on the back of the print, so I don't know if it's from the trip with Rob or one (or more) that he took with my mom. One photo is of her sitting on this wall, but it's in black and white.

A colour photograph of Dad standing on the Deer Flat Embankment at Lake Lowell, near Nampa, Idaho. He is facing the camera, his right foot up on the stone wall, which is a little more than a foot high. The wall runs from the lower left of the photo towards the upper right corner, ending at the horizon line which is between a quarter and a third of the way from the top of the photo. A little bit of Lake Lowell can be seen to the right of Dad. The preponderance of the upper left of the photo behind Dad is a tree or several trees. Dad is wearing a horizontal-striped blue polo shirt, blue jeans (or dungarees as he would call them) and brown penny loafers. His right arm is resting on his right thigh, the thumb of his left hand is stuck ever-so-slightly in his pocket.
Dad at Lake Lowell

Whichever trip it was, that he made this detour from the main road suggests to me that he might have worked on the Deer Flat Embankments project. The date on the below cobblestone masonry corner post in a photo he took coincides with Dad being 18, so maybe.

A black-and-white photograph of a cobblestone masonry corner which is at Lake Lowell in Nampa, Idaho. The concrete and cobblestone piece takes the shape of a box that has been filled with concrete, and then additional concrete which tapers upwards. All around the tapered-shape concrete cobblestones were put in place before the concrete dried. On the left (visible) side of the box-shaped base 1939 is engraved; on the right (visible) side, CCC is engraved. This entire piece sits on the near corner of a stone wall which extends to the left out of the picture. Lowell Lake is probably fifty yards in the distance, with a dirt parking lot in between the masonry corner and the bank of the lake.
1939 | CCC

Several times when I was a kid, Dad would make cartoon-like sketches, typically on scrap paper or the backs of envelopes, and talk about once being a pretty good artist. For the longest time, a framed coloured sketch he'd created of a duckling hung on our bedroom wall just below a light stanchion. Maybe he'd done it around the time one of us was born? I'm pretty sure it preceded me. Of course, I never asked about it. I don't know if it survived after Mom's eventual sale of the house.

But just before he retired from Coke, and while my then-wife Penny and I were still living in Toledo, he took up painting. Penny is a fantastic artist, and I wouldn't be surprised if Dad had made similar remarks to her about his potential as an artist and she said, "Do it, John!" and encouraged him. With my departure from the house in 1982, my room (the back bedroom, as it was known… an addition to the house prior to my arrival) would be used as his painting studio. At first, Dad's life transition was a bit humourous… the whole idea of "his studio"… because… Dad.

It took a while for him to get the hang of things, but Penny gave him guidance whenever she had the opportunity. She bought him a subscription to a painting magazine, suggested and probably bought him supplies. What he lacked in skill at the beginning, he made up for in enthusiasm. He was determined, and when he retired from Coke in March of 1986, it became his full-time gig, and his technique got better with each painting, most of which were landscapes.

A colour picture of one of my dad's paintings. It's of a river scene, with water flowing from right to left and running over a small natural dam with a large tree trunk lying on its side. There are numerous birch trees with bright yellow leaves making an arc from left to right, with a few fir trees interspersed.
One of Dad's paintings

I either bought or recommended a camera (Pentax K-1000) for him for Christmas one year so that he could take photographs for reference. One weekend in 1990, I think, while I was working for Michigan State University, I borrowed my department's Fuji Pan 617 (6cm x 17cm) panoramic camera and brought it to Toledo, and Dad and I spent a day together taking pictures along the Maumee River from Toledo to Sidecut Park in Maumee, probably the only day we'd ever spent together alone.

When he died on Wednesday, 27 May 1992, it had come after a rollercoaster week of good days and bad days, with the doctors seeming to struggle with what was going on with him. It could go on for days or weeks, they said, or months. It turned out to be days.

When Mom and my brothers and I met with the priest the day before his funeral, Mom pulled out a letter from the Navy that none of us had seen before. It was a citation signed by the Commander-in-Chief of the North Atlantic Fleet for an incident that occurred on 11 May 1944 just outside Boston Harbor, an incident during which he helped to save the lives of fourteen men from a burning, exploding, and ultimately sinking yard freighter. I recall Mom years before having alluded once to Dad pulling men out of the water but she gave no details, no description of what Dad actually would have experienced. It wasn't until the 70th anniversary of that incident that I got serious about learning what happened that day.

Dad never talked about it. He had talked about it with Mom's brother Skip way back when, and only recently did I learn that he talked about it one day with Jim's wife, Chris, when she stopped at the house for lunch one day while delivering mail in the neighbourhood.

It pains me that I didn't know the man all that well. It pains me that our relationship was contentious enough for so many years (I was the long-haired, free-thinking hippy of the family… I still am, I guess, but with much shorter, thinning grey hair) that heart-to-heart discussions weren't possible. As I noted, he'd mellowed once Jim was in high school. He was and is Jim's hero. "The greatest man that ever lived."

I wouldn't, for the life of me, try to take that away from him. But the more that I have thought about Dad since his death, and the more I have thought about my family, it's clear to me that we live so many lives within our "one and only life." The father that I knew before Jim came along or came of age was a different man than he knew. He was a different man than my older brothers Bob and Mike knew. He changed in ways I wouldn't have expected: quitting cigarettes (and cigars and pipes), for example; attending church weekly and eventually getting baptized Catholic. His worst aspects, for the most part, melted away as his children began to have children.

As humble a man as I believe my dad to have been, I also know that the incident for which he received his citation and medal4 occurred eleven years before I was born. It would be another ten years before I would be anything approaching conversational, which meant twenty-one years would have passed—ancient history for Dad… why would he care to talk about something that happened so long ago?

I've gone on too long, yet not really enough, I suppose, and I know I've meandered a bit, but I started this with a picture—the triptych of a 1940s picture of my dad, remember?

Eleven years ago, as I worked away at that image file, slowly, patiently, meticulously getting rid of as many imperfections to the image as I could find, it occurred to me that that is what we often do when it comes to the memory of those we lose once we've grown old enough to realize that it's not easy being a human being. Our parents' flaws, which we experience in our pre-adult years, become less important to us. We might not totally forget, we might not totally forgive, but we touch up the rips and folds and stains and wrinkles, and gloss them over so that the picture looks at least less flawed.

I miss Dad, but sometimes I think I miss him more for the relationship we could have had or should have had rather than for the one that we did have.

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1Mom delivered a still born three years after I was born, a year before Jim came along. [back]

2Dad's mom's first child was a stillborn girl; his brother Lloyd died at little more than two months old. [back]

3Grandma babysat for me and Jim one time while Mom and Dad were in New York for Mom's brother's wedding. When they returned, Grandma told them, "Never again!" I have no clue as to why that was the case, unless Jim and I fought or argued a lot, which I don't recall. All I can recall of that occasion is that my older brother Mike got to stay with Dad's sister Mary Belle's family, with whom grandma lived, and I rode my bike there (a little under two miles) because I'd felt a little left out and wanted to hang out with my big brother. [back]

4In addition to the citation, Dad was awarded the Navy and Marine Corps Medal, the highest award a sailor could receive for valour in a non-combat situation. [back]

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Tuesday, December 24, 2024

moins de 46

A black-and-white photograph of a woman sitting and talking with her two daughters, 14 (left) and 9 (middle), on a bench at a train station. She is at the right facing her daughters and gesturing with her left hand as if to emphasize a point.
Photo copyright 2024 by Patrick T. Power. All rights reserved.

you didn’t make it to 46

often i wondered
what you might think of me
once i was no longer of this earth,
or if you would even
think of me at all

i never would have guessed
that you
would go first.

*       *       *

NOTE: I've decided to abandon my Substack account because of that platform's decision to create a partnership with right-winger Bari Weiss's organization. I will migrate what few posts I've published there to this site. This post was originally published on 27 May 2024. I wish I'd re-published it on the 19th of December, the second anniversary of her death.

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That Summer of '78

or A Whole Lot of Temporary

Photograph of me and Sandy Harley sitting on a decorative landscaping wall in a park in Minneapolis. I'm on the left, shirtless and in shorts; Sandy is on the right and wearing blue jean bibs-shorts, with sunglasses on her head.
Me and Sandy Harley ©2024 Patrick T. Power

NOTE: I've decided to abandon my Substack account because of that platform's decision to create a partnership with right-winger Bari Weiss's organization. I will migrate what few posts I've published there to this site. This post was originally published on 9 November 2024. I've since done some minor editing

My former mother-in-law died a little less than two weeks ago, and as is my wont, I started ripping up my apartment trying to find photographs I'd taken almost thirty years ago on film to see what I might have of her. I didn't take near as many photographs in my film days as I have since going digital, but I tended to have my camera at all the family get-togethers so that there would be some kind of record of the events. Somewhere along the line, though, I stopped putting the prints into photo albums and stashed them and the negatives away for I don't know what. Typically, I would get double prints, so I could share the extras with others if they wanted something so I still have two copies of a lot of them. When Kodak began offering Picture Discs with low-resolution scans of the negatives, I cared even less about keeping an accessible archive of the prints.

All that to say that I found a handful of photographs that I knew I had around here somewhere, but had no clue where I might have stashed them. But I guess as the saying goes, the minute you stop looking for something, you find it. So along with the photographs that I was looking for, I found the ones I'd been wondering about, as well as something to write about.

As the school year was wrapping up in Bowling Green, Ohio in the spring of 1978, my older brother Mike suggested that I come out to Minnesota to work for the summer. He'd been living in the Minneapolis area for a couple of years with his then-wife Carol, and son Christopher, and they'd just had a newborn daughter, Angela, in February. If memory serves, he was the Operations Manager at the Big A Auto Parts distribution center in Edina.

It's weird now in this age of internet and text immediacy to think about that conversation because we didn't really talk all that often. Long-distance charges were a thing back then, and it tended to keep calls few and relatively short. Did he call me to suggest it? Did I call him just to chat and he presented the idea to me? Had I mentioned that I didn't have a job lined up for the summer and it just popped into his head? I'm coming around to the likelihood that I answered the phone and after a few niceties, he asked "What are you doing this summer?"

I worked at the campus media center during the school year, processing film and doing copy photography, and again if memory serves, I had worked the previous summer at Commercial Aluminum Cookware (later known as Calphalon) about halfway between home in Toledo and school. After working full-time there for over two years, I decided I wasn't going to work fifty hours a week the rest of my life in a polishing powder-filled factory—despite the relatively good money—and off I went to school. I stayed on in a part-time capacity for a little while, but I became a persona non grata with the newish, buttoned-up manager when I drew a life-sized comic-caricature of him. He decided the company no longer needed a part-time employee.

Anyway, however the offer came to pass, I agreed to go to Minnesota. Before heading out, I recorded a bunch of my albums onto cassettes for the ten- to twelve-hour drive. Dylan had just released Street Legal, so that was at the top of the list; I also no doubt included most of his discography in the mix. At about the same time, Springsteen released Darkness On The Edge Of Town, so I recorded that along with his first three records. I had only become a fan of his after Born To Run had come out so I was still kind of getting to know his stuff—I had to bring all of it. The Allman Brothers' Brothers and Sisters also made the cut—the record was five years old at the time, but still a goodie. There are two songs from amongst all the tapes I brought with me that I can't not associate with the trip: the Allman Brothers' "Jessica" and Springsteen's "4th of July, Asbury Park (Sandy)" from The Wild, the Innocent & the E Street Shuffle—both for very different reasons.

Within a week or two, I packed up my 1974 Volkswagen Super Beetle and was on my way. I stopped in the Chicago area to see my mom's brother, Skip, and his family, and I spent a night there to break up the travel. At that time in my life, I could drive for hours with nary a break, but aside from that overnight pit stop, I tried to get there in as little time as possible. I took I-94 through the heart of Wisconsin, and as I made my way into the greater Minneapolis area, Brothers and Sisters was playing. It was raining a bit, and as traffic was getting thicker, I had to keep pace with it. It was then that I discovered that there might not be a greater driving song than "Jessica" (and, I might add, for dancing in your chair).

I took I-35W south from I-94 to where Mike lived in Burnsville. The highway would become more and more familiar to me over the course of the coming weeks as it was my way to and from work each day. (35W crossed the Minnesota River near Bloomington by way of a bridge that twenty-nine years later suffered a catastrophic collapse.) Traffic was backed up as I approached Burnsville and because I abhor sitting in a non-moving vehicle, I got off the highway and followed a route that took me west of Burnsville, near Shakopee, where I would cross another stretch of the river. It probably didn't save me a bit of time but I was at least in motion.

I started work the following Monday. I stocked car parts for the other workers—assemblers—to pull for orders. I learned later that I was getting paid a dollar more per hour than my peers, which ruffled a few feathers—something I didn't know when I was hired. I don't know how my co-workers found out. I enjoyed the people I worked with, though. Too many years have passed so names elude me, although I'm pretty sure one of the four or five guy assemblers I regularly cavorted with was named Steve Gilford. There were a couple of women assemblers, too… one a quiet blonde who seemed suspicious of me, and Sandy Harley, with whom I'd become smitten.

Sandy Harley taken at a lake in Minneapolis. She is looking directly at the camera, and the image is cropped from just above her bustline to just above her head. She is wearing a green flowery looking bikini top. There are a few trees and people in folding chairs behind her in the short distance.
Sandy Harley, July of 1978 ©2024 Patrick T. Power

At first, I didn't know what to make of things with her, whether she was seeing someone or not. My social clumsiness meant not asking, I guess, and I wasn't about to ask my new co-workers, but eventually we started going out. I think one of our first dates was to go to a blues show at The Cabooze, but when we got there, it wasn't happening. I never figured out why. We drove around for a bit and eventually found another place with live music. The band played Warren Zevon's "Lawyers, Guns and Money" during their set, which I thought was pretty cool as I was a big fan of his, and I drank my first St. Pauli Girl. I also attended my first classical concert with Sandy—French flautist Jean-Pierre Rampal was the guest conductor with the Minneapolis Philharmonic. (I found it humourous that he appeared to direct the orchestra with his butt when he turned to face the audience.) I bought his Suite For Flute And Jazz Piano that night. Sandy also turned me on to the Lamont Cranston Band, a local boogie-blues group that had—it was rumoured—caught the ear of John Belushi and was going to appear on Saturday Night Live that fall. We saw them at a place in Shakopee… Doc Holliday’s maybe?… and I bought their LP, Specials Lit.

The Minnesota Kicks, Minneapolis's team in the now-defunct North American Soccer League, was a pretty big deal at the time, as was something new to me, tailgating, so a few of the guys from work and I met up at Metropolitan Stadium in Bloomington to party on a couple of occasions. It was at my first tailgate that a couple of young women approached me seemingly out of nowhere. Had I been eyeing them up? They me? We chatted for a bit and one of them gave me her phone number and maybe even her address. It was the first time something like that had ever happened to me. Her name was… Sandy. In the weeks that followed, I picked up the phone and dialed six of the seven numbers a couple of times, but things seemed to be moving ever-so-slightly forward with Sandy number one, so I stopped and put the phone down.

Sandy, the first one, lived upstairs in a beautiful old Victorian house near Lake Of The Isles, an area made famous in the opening credits of The Mary Tyler Moore Show. We hung out there on occasion, and went canoeing on the lake once. We also picnic'd and sunbathed (mostly) at a couple of other downtown lakes, Harriet and Nokomis. The above photograph was likely taken at one of the two... Nokomis, I think. I seem to recall that Lake Calhoun (which I just learned is now known by its original Dakota name Bde Maka Ska was the least of Sandy's favourites for reasons that escape me now.

It's interesting to me how as I write this, more details from those twelve weeks or so come to my memory's surface. I had been a pretty major collector of rare Bob Dylan recordings for several years, so I was immersed in reading Larry Sloman's On The Road With Bob Dylan: Rolling With The Thunder, reading it in the car during my lunch breaks. Dylan's film Renaldo & Clara had been released in January and I'd obtained a recording of just the audio earlier in the year, so I was pretty thrilled to get a chance to actually see it in Dylan's home state when the cut version was released.

On the 9th of August, Springsteen performed a show at The Agora Ballroom in Cleveland and it was broadcast live across the country—all three hours!—and I listened in the solitude of my room. It cinched my Bruce fandom. And wouldn't you know it… "4th of July, Asbury Park (Sandy)" was his first encore.

As the summer wound down, Sandy and I made a trip to the north shore of Lake Superior for a camping weekend. We stopped at her parents' place in Anoka and I met her mom and one of her brothers.

Sandy Harley sitting on the rear bumper of my 1974 Volkswagen Super Beetle. She is wearing a red Adidas t-shirt, light blue shorts, a white bandana on her head, and has a purse hanging from her left shoulder. She is looking up at the camera, sn has her hands crossed on her lap just above her knees. She also has a watch on her left wrist.
Sandy and my Super Beetle ©2024 Patrick T. Power

On the way up—actually a bit out of the way—we passed through Hibbing, Minnesota, where Dylan had grown up. We didn't tool around town looking for his boyhood home or anything, we just drove through on the main drag, stopping to get gas, then passing by the high school. I guess I wanted to say I'd been there since I was so close. We also made a brief stop at the Hull-Rust-Mahoning Open Pit Iron Mine, one of the other three things for which Hibbing is famous… the other two being that it's the hometown of Roger Maris and Greyhound bus lines. The magnitude of the open pit mine is both breathtaking and heartbreaking.

A picture of me wading in shin-deep water of a river somewhere between Minneapolis and the north shore of Lake Superior. I'm wearing a t-shirt with BOWLING GREEN in two lines across my chest, and I'm reaching down to touch my right foot which is raised about a foot above the water. I must have stepped on something. My left arm is almost perpendicular to my body as I balance myself. I'm looking down at my right foot. Only a bit of my face is showing. I'm wearing cut-off blue jean shorts which show probably two-thirds of my thigh.
Me, somewhere along the way

We camped at a totally rustic site and the only vivid memory etched in my brain is that when I washed my hair in the lake, it was so cold—despite being near the end of August—it felt like my scalp was on fire. And yet somehow, others were diving in and swimming as if it were a reasonable thing to do. I just couldn't imagine doing to my whole self what I'd done to my scalp.

On the way back to the city, we stopped in Duluth. Sandy had gone to the University of Minnesota-Duluth so she showed me a little of the campus and told me that most—if not all—of the buildings were connected so that people wouldn't have to deal with the sub-zero temperatures during the winter. Much of the city is built on hills, and although I had never been to the city in which I now live, I told her Duluth looked kind of like a mini-San Francisco. We went out to the North Pier Lighthouse and I snapped a series of photographs with her 110-cartridge-film camera that I later mounted as a panorama at school.

A six-frame panorama of Duluth, Minnesota taken in August of 1978 with a 110-film camera from the North Pier Lighthouse. The six frames are mounted on blue matt board, and many of the prints show signs of wear from several moves and improper storage. At the far left of the frame is the Aerial Lift Bridge, with the city taking up most of the next four frames.
Duluth panorama — Photo by Patrick T. Power. All rights reserved.

Possibly the worst moment of my summer came shortly after returning from the camping trip. I was working one day when out of the blue, Scott, a guy who worked in the office and was best buds with Sandy confronted me. He wanted to know why I had written on one of the walls of a bathroom stall that I'd had sex with Sandy during the camping trip. Of course, more vulgar terminology had been used. First of all, we hadn't had sex, so it wouldn't have occurred to me to write such a thing, and two, I've never in my life told another person—must less publicly boasted—about my private moments with a woman. It's just not my nature. Scott seemed convinced of my innocence, that someone else had done the deed in my name. I can't recall if I confronted anyone about it. I think the guys I hung out with liked and respected Sandy, so I didn't really suspect any of them, but you never know. Sandy never knew about it until I brought it up with her many years later. I'm glad she didn't know about it then as it would have crushed her to know that her work mates talked about her like that.

There are a few other details I recall about the trip, such as learning that just before I'd arrived, Mike had quit smoking when his toddler son, Chris, decided he wanted to eat something from one of the ashtrays... I helped Mike with some decorative landscaping around the house, which mostly meant shoveling white stone around the patio area. Also, Mike rented a copy of the brilliant Das Boot and I somehow managed to fall asleep... I think I babysat the kids once so that Mike and Carol could have a night out... Pope Paul VI died while I was in Minneapolis, and I recall watching Wimbledon during that time and playing pool on the table just outside my room... Big A had a company picnic and we played softball. I recall one of the bosses, Dennis was his name, I think, blasted a ball over my head in center field. I got the last laugh, though, as I threw him out at third base. Also, I won a digital watch in the picnic raffle. The battery wore out within a year or so and I never replaced it. It was the last watch I've owned. It had an alarm setting that played a classical piece that I can't at the moment recall.

So much, of course, is a blur these forty-six years later.

Sandy and I remained in touch briefly after my departure. I made a surprise trip to see her on Hallowe'en that year. It didn't go well. Scott had moved to Madison, Wisconsin by that time, so I stopped to see him on the way home seeking solace. I think she and I exchanged a couple of letters after that, and after I'd gotten married four years later, my wife and I visited her. As I think about it now, both she and Penny probably thought it was a stupid idea but neither said so. Sandy moved to the San Diego area at some point. After Big A, she went to nursing school. I don't know if she ever got married (I guess it's weird that I never asked), but she had a daughter twenty-some years ago. Despite that I've been to San Diego a couple of times for work since I moved to California, my trips were short and getting together wouldn't have been practical. Sandy died four years ago on my son's thirty-third birthday, 16 February 2020. In a weird kind of synchronicity, in just three days from now, on the 12th of November, she would have turned 68.

I also maintained a connection with the second Sandy for a little while. We exchanged a few letters, I sent her mix tapes (one of which I recall opened with Dylan's "Girl Of The North Country"), we talked several times on the phone. Despite that it all seemed pretty great, it just sort of ended because sometimes distance makes decisions for us.

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Wednesday, December 29, 2004

Free Cat

picture of a sign on the side of the road which reads free cat
freecat.

I had to laugh when I saw this photo at Flickr. (It appears to have been lifted from another website as opposed to having been taken by the Flickr member that uploaded it.)

Dan, my roommate at Bowling Green for a year, hated cats. He'd always been a dog owner and had no interest whatsoever in felines.

I laugh at the photo because any time we happened to see a dead dog along the side of a road, Dan would go into denial mode: "That's not a dog, it's a cat!"

Dan Graves and Martha Dannery, Bowling Green, Ohio (1980)
Dan and our classmate-pal Martha Dannery

Dan and I haven't been in touch in close to ten years, but I happened across his website tonight when I did a Google search for his name (imagine that!). One of the funniest guys I've ever known. Fine artist. Pretty good golfer. He told me once that he loved salt so much that he wanted to die of it.

Sunday, December 19, 2004

Goonie Caps

Yesterday, I spent the afternoon with friends, Robert and Julia, who had invited me to their home for a game of Scrabble, dinner and a movie (DVD).

Julia is of Bangladeshi descent, and as I'd told her previously that I owned a VHS video of The Concert for Bangla Desh—something she said she'd like to see—I brought that with me as well as my newly-purchased, still-wrapped boxed DVD set of Krzysztof Kieslowski's Trois Couleurs.

The dinner, a traditional Bangladeshi cooked meal of chicken, beef, lentls and rice (with some mixed veggies and salad) was marvelous, and—as expected—I crushed the both of them in Scrabble. My Scrabble record remains unblemished, although I had a momentary concern when—feeling somewhat sorry for Robert's bad luck with words on the day—Julia and I agreed to allow "hobocrib" (yes, my left eyebrow raised in bemused wonder about the word!), a word that meant a 51-point increase in Robert's score. Julia and I agreed that it was more important to allow Robert his word since he'd been having such a rough time scoring, but I was secretly worried that it was just a bit too much charity on my part. I would have hated to have had my "Lifetime - 0" record shattered by "hobocrib," for crying out loud.

Thankfully, the word left him forty or so points shy of my winning score, although it meant bringing him up to a tie with Julia.

But wait... this was supposed to be about goonie caps.

During a scene in Blue, the ever-stunning, ever-talented Juliette Binoche dives into a swimming pool and swims a lap across the width of the pool—not its length.

At that moment, it flashed me back to something I haven't thought about in a long, long time...

When I was in grade school, I spent a great deal of time at the Boys Club (now Boys and Girls Club) in East Toledo. They had a pool, game rooms (I played many a game of pool, mostly the bumper variety), craft rooms and television. It was a really great place to hang out with friends and keep out of trouble. Not that I was apt to get into trouble, but still. I think that my mom still owns one of the ceramic pieces (an exotic bird of some type) I'd painted and shellacked for her. I was a pretty meticulous painter, and I was quite proud that my eye for color was better than most kids ("no brag, just fact"), and that my finished pieces were worthy of something better than being put away as mementos. My mom actually hung them in the house in not-so-obscure places.

Oh, yeah... goonie caps!

The rule of the swimming pool was that until a kid had been able to prove his ability to swim, he had to wear a rubber bathing cap, or shower cap, if you prefer. We knew them as "goonie caps;" there was no more appropriate term for them as far as a ten- to twelve-year-old kid was concerned. They were named precisely for the way we looked while wearing them.

Of course, there was a perfectly reasonable explanation for their use—they made the jobs of the lifeguards that much easier. They allowed the guards to more easily keep an eye on those who shouldn't be near the deep end of the pool.

A ten-year-old knows nothing of reason, however, and I knew how to swim dammit!—I wasn't about to wear one of those gawdawful goonie caps! Ugh!

Every day, just before the pool was made available for open swimming, several lifeguards would loosely organize swimming tests for those kids who wanted to shun the stigmatic, reputation-busting, humiliating goonie caps. We would line up at poolside at about the spot where the pool began its severe slope to very-deepness.

The test was simple: dive in and swim the entire width of the pool underwater. (Thinking about it further, I'm not certain it had to be underwater.)

Fifty, sixty feet... right? Piece of cake!

Now, you should know that I was a regular at the Boys Club. The management knew me well, my brother Mike and his friends all hung out there—they knew me... anyone who spent a lot of time there knew me and surely had seen me swimming. I was as much of a fish as any kid my age and swimming came as natural as breathing at that point in my life.

As I recall that day now, my brother was in attendance. A number of us lined up on the entrance side of the pool, near the lifeguard chair, and several older kids and lifeguards were on the opposite side of the pool to observe and go into action if needed.

I had swum the width of the pool many times previously (one doesn't take a test like this without knowing what the results are going to be), so as far as I was concerned it was all academic; a mere formality. I was twenty or so seconds away from a goonie-less life at the Boys Club—an almost Hilaryan feat for my age. And I didn't need no sherpa!

I did, however, need the help of a lifeguard (or my brother, I can't recall which) with a couple of feet to go.

In fact, I had traveled more distance than was required of me to complete the test successfully. The problem I had was that I made the attempt with my eyes closed and with about ten feet to go to the other side of the pool, I made a severe left turn that took me into water that was deeper than I was tall. My inner measuring stick—which many previous laps across the pool had calibrated—told me I was at pool's edge and that I could stop swimming, reach out and grab the concrete.

It wasn't there.

Nor was the bottom of the pool where I expected it to be.

I began gasping for air and swallowing water as I went down, completely bewildered by what was happening. "I'm not in the deep end, for crying out loud... what the hell (I probably didn't say "hell" at that time, actually) is going on?!?" Okay, so maybe "Help!" was more what I was thinking, or more likely "HE-E-E-E-ELP!" Or maybe it was "Ohmuhgawdimgonnadi-i-i-i-i-e!"

Lots of laughter welcomed my ascent from the pool. The thought of having to put the goonie cap on was, of course, more devastating to think about and I no doubt was on the verge of tears.

For some reason, however, I was deemed worthy of removing the goonie cap from my swimming attire. I was free! Free to use the diving board; free to swim in the deep end. I had reached what amounted to swimming adulthood.

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