Showing posts with label friendship. Show all posts
Showing posts with label friendship. Show all posts

Tuesday, December 24, 2024

moins de 46

A black-and-white photograph of a woman sitting and talking with her two daughters, 14 (left) and 9 (middle), on a bench at a train station. She is at the right facing her daughters and gesturing with her left hand as if to emphasize a point.
Photo copyright 2024 by Patrick T. Power. All rights reserved.

you didn’t make it to 46

often i wondered
what you might think of me
once i was no longer of this earth,
or if you would even
think of me at all

i never would have guessed
that you
would go first.

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NOTE: I've decided to abandon my Substack account because of that platform's decision to create a partnership with right-winger Bari Weiss's organization. I will migrate what few posts I've published there to this site. This post was originally published on 27 May 2024. I wish I'd re-published it on the 19th of December, the second anniversary of her death.

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That Summer of '78

or A Whole Lot of Temporary

Photograph of me and Sandy Harley sitting on a decorative landscaping wall in a park in Minneapolis. I'm on the left, shirtless and in shorts; Sandy is on the right and wearing blue jean bibs-shorts, with sunglasses on her head.
Me and Sandy Harley ©2024 Patrick T. Power

NOTE: I've decided to abandon my Substack account because of that platform's decision to create a partnership with right-winger Bari Weiss's organization. I will migrate what few posts I've published there to this site. This post was originally published on 9 November 2024. I've since done some minor editing

My former mother-in-law died a little less than two weeks ago, and as is my wont, I started ripping up my apartment trying to find photographs I'd taken almost thirty years ago on film to see what I might have of her. I didn't take near as many photographs in my film days as I have since going digital, but I tended to have my camera at all the family get-togethers so that there would be some kind of record of the events. Somewhere along the line, though, I stopped putting the prints into photo albums and stashed them and the negatives away for I don't know what. Typically, I would get double prints, so I could share the extras with others if they wanted something so I still have two copies of a lot of them. When Kodak began offering Picture Discs with low-resolution scans of the negatives, I cared even less about keeping an accessible archive of the prints.

All that to say that I found a handful of photographs that I knew I had around here somewhere, but had no clue where I might have stashed them. But I guess as the saying goes, the minute you stop looking for something, you find it. So along with the photographs that I was looking for, I found the ones I'd been wondering about, as well as something to write about.

As the school year was wrapping up in Bowling Green, Ohio in the spring of 1978, my older brother Mike suggested that I come out to Minnesota to work for the summer. He'd been living in the Minneapolis area for a couple of years with his then-wife Carol, and son Christopher, and they'd just had a newborn daughter, Angela, in February. If memory serves, he was the Operations Manager at the Big A Auto Parts distribution center in Edina.

It's weird now in this age of internet and text immediacy to think about that conversation because we didn't really talk all that often. Long-distance charges were a thing back then, and it tended to keep calls few and relatively short. Did he call me to suggest it? Did I call him just to chat and he presented the idea to me? Had I mentioned that I didn't have a job lined up for the summer and it just popped into his head? I'm coming around to the likelihood that I answered the phone and after a few niceties, he asked "What are you doing this summer?"

I worked at the campus media center during the school year, processing film and doing copy photography, and again if memory serves, I had worked the previous summer at Commercial Aluminum Cookware (later known as Calphalon) about halfway between home in Toledo and school. After working full-time there for over two years, I decided I wasn't going to work fifty hours a week the rest of my life in a polishing powder-filled factory—despite the relatively good money—and off I went to school. I stayed on in a part-time capacity for a little while, but I became a persona non grata with the newish, buttoned-up manager when I drew a life-sized comic-caricature of him. He decided the company no longer needed a part-time employee.

Anyway, however the offer came to pass, I agreed to go to Minnesota. Before heading out, I recorded a bunch of my albums onto cassettes for the ten- to twelve-hour drive. Dylan had just released Street Legal, so that was at the top of the list; I also no doubt included most of his discography in the mix. At about the same time, Springsteen released Darkness On The Edge Of Town, so I recorded that along with his first three records. I had only become a fan of his after Born To Run had come out so I was still kind of getting to know his stuff—I had to bring all of it. The Allman Brothers' Brothers and Sisters also made the cut—the record was five years old at the time, but still a goodie. There are two songs from amongst all the tapes I brought with me that I can't not associate with the trip: the Allman Brothers' "Jessica" and Springsteen's "4th of July, Asbury Park (Sandy)" from The Wild, the Innocent & the E Street Shuffle—both for very different reasons.

Within a week or two, I packed up my 1974 Volkswagen Super Beetle and was on my way. I stopped in the Chicago area to see my mom's brother, Skip, and his family, and I spent a night there to break up the travel. At that time in my life, I could drive for hours with nary a break, but aside from that overnight pit stop, I tried to get there in as little time as possible. I took I-94 through the heart of Wisconsin, and as I made my way into the greater Minneapolis area, Brothers and Sisters was playing. It was raining a bit, and as traffic was getting thicker, I had to keep pace with it. It was then that I discovered that there might not be a greater driving song than "Jessica" (and, I might add, for dancing in your chair).

I took I-35W south from I-94 to where Mike lived in Burnsville. The highway would become more and more familiar to me over the course of the coming weeks as it was my way to and from work each day. (35W crossed the Minnesota River near Bloomington by way of a bridge that twenty-nine years later suffered a catastrophic collapse.) Traffic was backed up as I approached Burnsville and because I abhor sitting in a non-moving vehicle, I got off the highway and followed a route that took me west of Burnsville, near Shakopee, where I would cross another stretch of the river. It probably didn't save me a bit of time but I was at least in motion.

I started work the following Monday. I stocked car parts for the other workers—assemblers—to pull for orders. I learned later that I was getting paid a dollar more per hour than my peers, which ruffled a few feathers—something I didn't know when I was hired. I don't know how my co-workers found out. I enjoyed the people I worked with, though. Too many years have passed so names elude me, although I'm pretty sure one of the four or five guy assemblers I regularly cavorted with was named Steve Gilford. There were a couple of women assemblers, too… one a quiet blonde who seemed suspicious of me, and Sandy Harley, with whom I'd become smitten.

Sandy Harley taken at a lake in Minneapolis. She is looking directly at the camera, and the image is cropped from just above her bustline to just above her head. She is wearing a green flowery looking bikini top. There are a few trees and people in folding chairs behind her in the short distance.
Sandy Harley, July of 1978 ©2024 Patrick T. Power

At first, I didn't know what to make of things with her, whether she was seeing someone or not. My social clumsiness meant not asking, I guess, and I wasn't about to ask my new co-workers, but eventually we started going out. I think one of our first dates was to go to a blues show at The Cabooze, but when we got there, it wasn't happening. I never figured out why. We drove around for a bit and eventually found another place with live music. The band played Warren Zevon's "Lawyers, Guns and Money" during their set, which I thought was pretty cool as I was a big fan of his, and I drank my first St. Pauli Girl. I also attended my first classical concert with Sandy—French flautist Jean-Pierre Rampal was the guest conductor with the Minneapolis Philharmonic. (I found it humourous that he appeared to direct the orchestra with his butt when he turned to face the audience.) I bought his Suite For Flute And Jazz Piano that night. Sandy also turned me on to the Lamont Cranston Band, a local boogie-blues group that had—it was rumoured—caught the ear of John Belushi and was going to appear on Saturday Night Live that fall. We saw them at a place in Shakopee… Doc Holliday’s maybe?… and I bought their LP, Specials Lit.

The Minnesota Kicks, Minneapolis's team in the now-defunct North American Soccer League, was a pretty big deal at the time, as was something new to me, tailgating, so a few of the guys from work and I met up at Metropolitan Stadium in Bloomington to party on a couple of occasions. It was at my first tailgate that a couple of young women approached me seemingly out of nowhere. Had I been eyeing them up? They me? We chatted for a bit and one of them gave me her phone number and maybe even her address. It was the first time something like that had ever happened to me. Her name was… Sandy. In the weeks that followed, I picked up the phone and dialed six of the seven numbers a couple of times, but things seemed to be moving ever-so-slightly forward with Sandy number one, so I stopped and put the phone down.

Sandy, the first one, lived upstairs in a beautiful old Victorian house near Lake Of The Isles, an area made famous in the opening credits of The Mary Tyler Moore Show. We hung out there on occasion, and went canoeing on the lake once. We also picnic'd and sunbathed (mostly) at a couple of other downtown lakes, Harriet and Nokomis. The above photograph was likely taken at one of the two... Nokomis, I think. I seem to recall that Lake Calhoun (which I just learned is now known by its original Dakota name Bde Maka Ska was the least of Sandy's favourites for reasons that escape me now.

It's interesting to me how as I write this, more details from those twelve weeks or so come to my memory's surface. I had been a pretty major collector of rare Bob Dylan recordings for several years, so I was immersed in reading Larry Sloman's On The Road With Bob Dylan: Rolling With The Thunder, reading it in the car during my lunch breaks. Dylan's film Renaldo & Clara had been released in January and I'd obtained a recording of just the audio earlier in the year, so I was pretty thrilled to get a chance to actually see it in Dylan's home state when the cut version was released.

On the 9th of August, Springsteen performed a show at The Agora Ballroom in Cleveland and it was broadcast live across the country—all three hours!—and I listened in the solitude of my room. It cinched my Bruce fandom. And wouldn't you know it… "4th of July, Asbury Park (Sandy)" was his first encore.

As the summer wound down, Sandy and I made a trip to the north shore of Lake Superior for a camping weekend. We stopped at her parents' place in Anoka and I met her mom and one of her brothers.

Sandy Harley sitting on the rear bumper of my 1974 Volkswagen Super Beetle. She is wearing a red Adidas t-shirt, light blue shorts, a white bandana on her head, and has a purse hanging from her left shoulder. She is looking up at the camera, sn has her hands crossed on her lap just above her knees. She also has a watch on her left wrist.
Sandy and my Super Beetle ©2024 Patrick T. Power

On the way up—actually a bit out of the way—we passed through Hibbing, Minnesota, where Dylan had grown up. We didn't tool around town looking for his boyhood home or anything, we just drove through on the main drag, stopping to get gas, then passing by the high school. I guess I wanted to say I'd been there since I was so close. We also made a brief stop at the Hull-Rust-Mahoning Open Pit Iron Mine, one of the other three things for which Hibbing is famous… the other two being that it's the hometown of Roger Maris and Greyhound bus lines. The magnitude of the open pit mine is both breathtaking and heartbreaking.

A picture of me wading in shin-deep water of a river somewhere between Minneapolis and the north shore of Lake Superior. I'm wearing a t-shirt with BOWLING GREEN in two lines across my chest, and I'm reaching down to touch my right foot which is raised about a foot above the water. I must have stepped on something. My left arm is almost perpendicular to my body as I balance myself. I'm looking down at my right foot. Only a bit of my face is showing. I'm wearing cut-off blue jean shorts which show probably two-thirds of my thigh.
Me, somewhere along the way

We camped at a totally rustic site and the only vivid memory etched in my brain is that when I washed my hair in the lake, it was so cold—despite being near the end of August—it felt like my scalp was on fire. And yet somehow, others were diving in and swimming as if it were a reasonable thing to do. I just couldn't imagine doing to my whole self what I'd done to my scalp.

On the way back to the city, we stopped in Duluth. Sandy had gone to the University of Minnesota-Duluth so she showed me a little of the campus and told me that most—if not all—of the buildings were connected so that people wouldn't have to deal with the sub-zero temperatures during the winter. Much of the city is built on hills, and although I had never been to the city in which I now live, I told her Duluth looked kind of like a mini-San Francisco. We went out to the North Pier Lighthouse and I snapped a series of photographs with her 110-cartridge-film camera that I later mounted as a panorama at school.

A six-frame panorama of Duluth, Minnesota taken in August of 1978 with a 110-film camera from the North Pier Lighthouse. The six frames are mounted on blue matt board, and many of the prints show signs of wear from several moves and improper storage. At the far left of the frame is the Aerial Lift Bridge, with the city taking up most of the next four frames.
Duluth panorama — Photo by Patrick T. Power. All rights reserved.

Possibly the worst moment of my summer came shortly after returning from the camping trip. I was working one day when out of the blue, Scott, a guy who worked in the office and was best buds with Sandy confronted me. He wanted to know why I had written on one of the walls of a bathroom stall that I'd had sex with Sandy during the camping trip. Of course, more vulgar terminology had been used. First of all, we hadn't had sex, so it wouldn't have occurred to me to write such a thing, and two, I've never in my life told another person—must less publicly boasted—about my private moments with a woman. It's just not my nature. Scott seemed convinced of my innocence, that someone else had done the deed in my name. I can't recall if I confronted anyone about it. I think the guys I hung out with liked and respected Sandy, so I didn't really suspect any of them, but you never know. Sandy never knew about it until I brought it up with her many years later. I'm glad she didn't know about it then as it would have crushed her to know that her work mates talked about her like that.

There are a few other details I recall about the trip, such as learning that just before I'd arrived, Mike had quit smoking when his toddler son, Chris, decided he wanted to eat something from one of the ashtrays... I helped Mike with some decorative landscaping around the house, which mostly meant shoveling white stone around the patio area. Also, Mike rented a copy of the brilliant Das Boot and I somehow managed to fall asleep... I think I babysat the kids once so that Mike and Carol could have a night out... Pope Paul VI died while I was in Minneapolis, and I recall watching Wimbledon during that time and playing pool on the table just outside my room... Big A had a company picnic and we played softball. I recall one of the bosses, Dennis was his name, I think, blasted a ball over my head in center field. I got the last laugh, though, as I threw him out at third base. Also, I won a digital watch in the picnic raffle. The battery wore out within a year or so and I never replaced it. It was the last watch I've owned. It had an alarm setting that played a classical piece that I can't at the moment recall.

So much, of course, is a blur these forty-six years later.

Sandy and I remained in touch briefly after my departure. I made a surprise trip to see her on Hallowe'en that year. It didn't go well. Scott had moved to Madison, Wisconsin by that time, so I stopped to see him on the way home seeking solace. I think she and I exchanged a couple of letters after that, and after I'd gotten married four years later, my wife and I visited her. As I think about it now, both she and Penny probably thought it was a stupid idea but neither said so. Sandy moved to the San Diego area at some point. After Big A, she went to nursing school. I don't know if she ever got married (I guess it's weird that I never asked), but she had a daughter twenty-some years ago. Despite that I've been to San Diego a couple of times for work since I moved to California, my trips were short and getting together wouldn't have been practical. Sandy died four years ago on my son's thirty-third birthday, 16 February 2020. In a weird kind of synchronicity, in just three days from now, on the 12th of November, she would have turned 68.

I also maintained a connection with the second Sandy for a little while. We exchanged a few letters, I sent her mix tapes (one of which I recall opened with Dylan's "Girl Of The North Country"), we talked several times on the phone. Despite that it all seemed pretty great, it just sort of ended because sometimes distance makes decisions for us.

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Sunday, November 17, 2024

My Last Day In Paris, Part Two

or Not My Last Day In Paris, Part Two

A photograph of a woman from the shoulders up whose face is blurred from turning her head during the exposure. She is wearing a green coat with a white scarf around her neck, knotted loosely just below her neck.
Sumei à l'Hôtel du Nord ©2024 Patrick T. Power

It's best to read Part One first.

After parting with Sumei, a light rain began to fall in the city as I made my way to Le Dock. Based on the photos I took, I rode the métro to a stop near the Louvre, probably Concorde, then walked from there. Amongst my favourite things to do in Paris (or, really, anywhere, I guess) is to photograph the reflections in the wet pavement. And so it was that I noticed the reflections of the red illuminated awnings of the entrances at the Ritz Paris in Place Vendôme.

A photograph taken at Place Vendome in Paris during a light drizzle of rain. The wet pavement takes up most of the photograph and it reflects the arched entrances of the Ritz Paris hotel.
Ritz Paris, ©2024 Patrick T. Power

Everything so far had gone swimmingly, and I took to heart the first three letters of the name of a shoe store, I think, or maybe one that sold clothes in general. La joie. Joy.

A photograph taken in the early evening of part of a business's window sign. I can't recall what the name of the business was, but it started with these three letters: JOY at the far right of the image. The rest of the image is of the translucent glass of the window. The letters are the negative space formed by a black rectangular field, in other words, translucent on black.
La joie, ©2024 Patrick T. Power

I must have gotten something to eat at around this time as I didn't take another photograph for well over an hour, and didn't get to Le Dock for another hour after that. While I recall so much about the day and the trip, I'm at a loss as to the space of time between Place Vendôme and Le Dock.

A casual portrait of a friend in a bar. He is at the right side of the frame, sitting at the bar. His body is facing towards the camera, but he is facing to the left of the frame, his chin resting in his right hand.
Sebastien at the bar, ©2024 Patrick T. Power

Ten or twelve of my friends made it out that night, a Tuesday, as well as a couple I think I'd never met before, and borrowing a mobile, I called one more—Phil—to encourage him to show up. It turned out that it was a good thing he did.

A photograph four people cramming into a selfie, which we didn't call selfies at the time. I am in the center and take up most of the frame. There is a woman's head popping into the lower right corner, a man leaning into the picture above her and slightly behind me, and another woman looking in from the laft of the frame, almost with her head on my shoulder.
Aru, Me, Pierre, and Audrey, ©2024 Patrick T. Power

A native of Switzerland, Phil had been living in Paris for some time. He's a musician and founded/runs a music school. When my original lodging plans hit a snag, he let me stay at his place for two or three nights. This is important to note because Phil's ex-girlfriend from Sweden, Linn, was also staying with him for a spell as she was in Paris for a medical appointment. She and I had talked at some point and we discovered that we were scheduled to fly out on the same day.

With only a couple of exceptions, I probably knew Phil best of all my Flickr friends, so I was hoping to see him before I left. At around 11:30 PM he made it. Almost immediately, he said, "I wasn't going to come because you were supposed to leave today." I said, "No, I leave tomorrow." He said, "No, you were supposed to leave today, because I took Linn to the airport this morning, and you were supposed to leave on the same day she did." Of course, he was right, but as I had my backpack with me which held my itinerary, I got it out to check it.

A photograph of my intinerary which shows that I was scheduled to leave Paris on 15 November 2005.
Un vol raté, ©2024 Patrick T. Power

With that revelation, of course, there was really nothing I could do except carry on with the fun. Figuring out what to do to get home would have to wait until morning. Which, of course, it did.

A three-frame panorama taken at a bar. The bar itself is at the right and recedes to the back of the building. The bartender is nehind it. He wears a t-shirt which says, FREE BREAST EXAMS. There is a group of people gathered to the left of the bar. There are stairs at the far left whic lead up to another smal gathering space. There is no one upstairs. There are three lamps which hang down from the ceiling. They are designed to look like aluminum trash cans. Liquor lines the brick wall behind the bar. There is a bicycle helmet on the nearest end of the bar.
Mes amis, ©2024 Patrick T. Power

But all of a sudden, it occurred to me that had I made my 1:55 PM flight, I would be landing in Detroit at 5:05 PM, which pretty much was what time it was in Detroit at that very moment. My friend Melissa had offered to pick me up at Detroit Metro, which meant that she might very well be sitting in her car wondering where the hell I was. I borrowed Phil's phone and called her. As I think of this now, I was incredibly lucky that in November of 2005 both she and Phil had mobile phones, because I wouldn't get one for another five years. Anyway, she was just about to arrive at the terminal when I reached her, and being the kind, sweet human being that she is shrugged it off as no problem. (I think. I hope.) While it was a pretty big inconvenience to have wasted four hours of her time (in rush-hour traffic, no less), it could have been SO much worse had I not remembered this. The rest of the evening is a bit of a blur to me now, and not because I was drunk (I wasn't). I went back to my hosts' apartment not knowing what I was going to do. I hoped, of course, that Northwest Airlines would work with me to get me on another flight, but I would soon learn a lesson about airlines and missed flights. (Long after my trip, I was curious about where I was at the time my flight was taking off, so I looked through my photographs and checked their time stamps. I was with Sumei at Hôtel du Nord)

The following morning, Catherine, with some assistance from her brother Julien helped me to book a flight home. At the time, it was considerably cheaper to book round-trip—versus one-way—tickets, so that's what we did, but in order to keep the price down, we went with a departure date that would mean nine more days in Paris. In may ways, those last nine days were the best days of the trip.

Part One

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Saturday, November 16, 2024

My Last Day In Paris, Part One

or Not My Last Day In Paris

A five-frame photographic panorama of Canal Saint-Martin in Paris's 10th Arrondissement taken from Quai de Valmy looking towards Avenue Richerand. Canal Saint-Martin fills up most of the image with only a little bit of the buildings on Quai de Jemmapes appearing at the top of the frame. Those buildings and trees along the canal appear as reflections in the water. To the left of the frame, in the foreground, is a big group of fallens leaves and some trash on the water's surface. The panorama was stitched using Photoshop's Photomerge, and because of the stretching of some of the frames necessary to stitch them, the image is not rectilinear. It almost looks like the five images are laid on top of each other, except that there are no visible signs of the overlaps, and the outer two frames (left and right) are rather distorted because of the stretching process.
Canal Saint-Martin, ©2024 Patrick T. Power

Probably anyone who knows me even a little knows that I love Paris. Thanks to the generosity of several Parisians, I made my first trip there in November of 2005. I have many stories to tell from that time, but because someone posted something to Facebook this morning that reminded me of something that occurred nineteen years ago yesterday, I thought I would write about that day.

First, I have to preface by saying that my trip was to last two weeks, from 1 November (when the plane left Detroit) to 15 November. At some point during that last week, I decided to make a trip to Madrid, Spain to visit another friend whom I'd met on Flickr. When I booked that flight, my plan was to go to Madrid for three days and two nights, return to Paris, take the whole next day to wander the city one more time, then leave for home the following day.

That was the plan anyway.

Everything actually went pretty smoothly, and on that last full day, I contacted a few of my friends and recommended we get together one last time at Le Dock, a now-defunct bar not too far from L'Opéra Garnier. One of our Flickr pals, Philippe, was a bartender there, and the place was sort of the unofficial Flickr watering hole.

So, that morning, between 9:00 and 10:00, I caught line 1 at the Place Blanche métro station, which was just across the street from where I was staying, and headed to Place Saint-Michel. The trip required changing trains at Gare de L'Est (made famous in the film Amélie), and as I waited for my connection to arrive, I decided to sit on the platform for a while and people watch. In the mornings, as you might imagine, trains were packed with commuters, and as I watched them load and unload every few minutes, I imagined a series of photographs taken over several hours from the spot I was sitting, recording what each train looked like as the doors closed before departing. While I waited, a young woman rushing to get onto a train, unwittingly dropped her scarf. I hurriedly picked it up and handed it to her just inside the door, in time for the doors to close. I took but three frames while I waited at Gare de L'Est, all of the reflection in a stairwell.

Photograph of a reflection in the mirror on a stairway at the métro station at Place Saint-Michel in Paris. While the colour red-orange dominates, it also is an image that juxtaposes lines of the ceramic tiles with those of the reflected ceramic tiles and the stairs.
À Gare de L'Est, ©2024 Patrick T. Power

Once at Saint-Michel, I walked around the area looking for souvenirs for my kids (I am SO BAD at buying gifts for people), took a few pictures at the fountain at Saint-Michel as well as along the Seine, then walked over to explore around Cathédrale Notre-Dame, then Hôtel de Ville before catching another train at the Hôtel de Ville métro stop. I had arranged to meet a friend in the Belleville section of town, so I got off at République station. My route took me past Canal Saint-Martin—also made famous in Amélie—along the way, so I stopped to take a few pictures. The panorama at the top of this post was taken there. Along Boulevard de la Villette, I came upon this woman in a beautiful coat.

Photograph of a black woman walking in front of me with a coat that appears to have an African design of some sort. Her head is turned to her left and partly visible. She has corn-rowed hair that looks to be of a similar colour patternas her coat.
Sur Boulevard de la Villette, ©2024 Patrick T. Power

I met my friend Sumei, but not before getting a photograph of part of the façade of Palais des Glaces, a theatre on Rue de Faubourg du Temple.

Black-and-white zoomed-in detail photograph of a section of the façade of Palais de Glaces on rue Faubourg du Temple in Belleville, Paris. The façade has what appears to be a carving of an elephant crammed into a rectangular space. This photograph is a crop of about half of the carving, and includes most of the head and top half of its torso, looking very crammed within the space of the image's dimensions.
Palais des Glaces, ©2024 Patrick T. Power

Sumei and I headed back to Canal Saint-Martin and we took a bunch of pictures there, me with my Nikon CoolPix 8800 (a rather glorified point-and-shoot) and she with her dSLR, a Nikon D70s.

A Prisma AI conversion of a photograph of two men talking near the middle of the Passerelle des Douanes, which spans Canal Saint-Martin. The app's Dallas filter gives the image a painterly appearance.
Passerelle des Douanes (Prisma conversion), ©2024 Patrick T. Power

Sumei is another of the people I met via Flickr, and, in fact, I think this was our first in-person meeting. We stopped to have a coffee at Brasserie de l'Hôtel du Nord on Quai de Jemmapes, which runs along the east side of the canal. Hôtel du Nord is famous as the setting for the eponymous 1938 film. After coffee, Sumei had a little business to tend to. She worked for real estate company at the time, and she had to get a signature on a lease or a deed or something in the La Chappelle neighbourhood, so I accompanied her. Afterwards, we visited Église Saint-Bernard-de-la-Chapelle (Saint Bernard Church of La Chapelle), which was built from 1858 to 1861. I have a thing for religious iconography, despite my atheist ways, so we spent about thirty minutes there before she had to get on her way home in the south of the city.

Black-and-white photograph taken inside Église Saint-Bernard-de-la-Chapelle.
Église Saint-Bernard-de-la-Chapelle, ©2024 Patrick T. Power

Part Two

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Monday, May 18, 2009

L'amitié

Photograph of my feet resting on the railing of a balcony
L'amitié © 2025 Patrick T. Power. All rights reserved.

Dear friend,

I want to help you, not save you. I want to help you be whole, not just a little piece of yourself.

I want you to stop your self-destructive behaviour not because it's what I want, but because it will lead to an even better you. A you that I think is already quite wonderful—compassionate and warm and giving.

Love,
Me

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Saturday, May 16, 2009

Delma and Lupe Get Married

Delma & Lupe Get Married

I didn't attend this wedding. In fact, for a long time, I didn’t even know Delma existed. And she had lived right across the street from me!

Based on this slide's date imprint, this wedding likely occurred in May of 1967, so, I would have been about 11½.

Delma Estrada is the eldest daughter of Alfredo and Filiverta Estrada (we knew them as Freddie and Bertha) who lived in a house across the street from us when I was growing up. Freddie had two brothers who also moved into the neighbourhood at about the same time (one next door to him and the other two doors down in the other direction) and many of the children growing up in their households were the same age as my brothers and I, as well as every other kid on the block, so many of us — to use a term from those days — ran around together.

It's very possible that Delma was already living on her own when the Estrada families moved onto Utah Street, which is why I wasn’t aware of her at the time. I think she was my brother Bob’s age (who is nine years older than I am), and he wasn’t living at home in 1967, so it’s very possible that she simply wasn’t around. Or… being eleven years old and all, I might have been too busy playing baseball or round-up (a more grown-up version of hide-and-seek) to have noticed her.

But as regards this photograph, Delma isn’t really the story. The story is her sister Olga.

Olga was a year older than I, and I knew her and would occasionally “play” with her around the neighbourhood. She was just another kid on the block, really, and since she was a girl, she didn’t take up much of my attention. And although she was Catholic, she attended public schools whereas I attended Catholic schools, so as we grew up, we saw less and less of each other on a daily basis.

Fast-forwarding to probably the summer of 1975… I would have been 19½ or so, and while washing my new-ish used 1974 Super Beetle on the street, I heard a voice (the sound of which I can still hear in my head… very Debra Winger-esque, raspy, squeaky) calling out to me and I turned to see Olga sitting on her porch swing, laughing at whatever it was she had just said.

I finished what I was doing and walked over to join her.

Quickly, we became the best of friends. We spent a lot of time together that summer, often just sitting on her porch swing talking and laughing. I shared my Martin Mull and Jackson Browne records with her and she tried unsuccessfully to turn me on to Uriah Heep.

She worked at St. Anthony Villa, a Catholic orphanage on the other side of town, and I was working at Commercial Aluminum Cookware (now Calphalon) when it was located in the heart of downtown Toledo. We each were making our ways in the world while still living under our respective parents’ roofs.

Indeed our friendship became very intense in the first couple of weeks as she intimated to me that she thought she might be pregnant. Until that point, I had no clue that she was seeing someone (he was a friend or roommate of her older sister Mina’s boyfriend), so I was rather crushed. It had been feeling like more than a friendship to me. I was seriously free-falling into love only to be provided an ACME anvil to cushion my landing.

She soon found out she wasn’t pregnant, and we went about business as usual on the friendship front. Unfortunately (for me), her relationship seemed to be developing. It was especially disconcerting since I often sat on my porch playing guitar, whence I could see when Steve or Dave or Thomas — or whatever the hell his name was* — came ‘round to pick her up. What further made things difficult for me were the stories she told about him… stories that painted the picture of a not-so-very-wonderful guy. It was killing me.

I can’t recall where in the chain of events it occurred, but we finally went out on what I believed was a date. (Maybe she’d stopped seeing what’s-his-name… maybe I thought she had… whatever.) I don’t recall much about the day except that we ended up at Inky's on the north side of Toledo. Inky’s is a family-run Italian restaurant near where my dad worked. As a family, we had pizza there once a month or so since my dad did work for, was friends with, and golfed regularly with the owner, Frank Incorvaia. Great people. Great food.

It was a nice night. We had fun. We went home. We kissed on her steps. I trembled.

I don’t know why, but we never went out again. I suppose that she sensed my inexperience. It might have been the third time in my life I’d kissed a girl, so no doubt there was no comparison between what transpired for her that night and, well, what almost gets one pregnant.

Still, I remained in pursuit, while at the same time being able to read the writing on the wall.

At the time, Commercial Aluminum Cookware shared a building with a few other businesses, one of which was National Super Service, a manufacturer of industrial vacuum cleaners. At some point, I’d heard that they were hiring and I suggested to Olga that she apply. She hadn’t been too happy at the orphanage and, I thought, wouldn’t it be great to work in the same building! She applied and was hired. And much to my chagrin, our relationship — whatever it was — began its decline (read: came to a screeching halt).

Not long after starting at NSS, she began seeing one of her co-workers, Jeff, a very quiet, likable guy. He and I didn’t interact all that much during working hours, but we were acquainted with each other. Sometime in 1977, they married. I had begun college by then and attended the wedding with my girlfriend, Lisa Salisbury, whom I’d met at school. I went to visit Olga and Jeff once after they’d been married and I think that was the last time I saw her. She eventually took a job with Jobst Institute (whose claim to fame was having manufactured space suits for NASA), in whose parking lot she died. Or so I was told. My mother mentioned it in passing to me over the phone while I was at school, so I never heard anything about what had happened. I’ve never had the opportunity to ask her sisters or cousins. When she was younger, she had injured her head in her high school swimming pool and I was led to believe that her death might have been somehow related to that. Her obituary noted she’d died after a long illness, so… cancer of some sort?

I still have a piece of fabric that she gave me. At the time, sewing colourful fabric around the bottoms of the legs of bell-bottom jeans was a thing. It was something she did. It’s the only tactile reminder I have of her.

A candid picture of herself that she had given to me wore out years ago from being in my wallet, but just as I am able to hear her voice still, I am still able to see that picture of her beautifully big-toothed smiling face. It is a face and a picture that I have forever tied to Jackson Browne's "Fountain Of Sorrow"... from his all-too-hitting-close-to-home Late For The Sky record.

I think of Olga every October 13th, her birthday. Until I found the above high school photo, I conjured what I’d remembered in the long-lost photo I’d kept in my wallet for so long.

A few years after she died, I had a dream in which she spoke to me. "Don't worry," she said, "everything is just fine."

Now the things that I remember seem so distant, so small
Though it hasn't really been that long a time
What I was seeing wasn't what was happening at all
Although for a while, our path did seem to climb
— Jackson Browne (Fountain Of Sorrow)

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*Thinking now about this, I'm pretty sure it was George. (ptp, 2013)

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Thursday, August 25, 2005

Switching Modes

Most of my life, I've been a fairly creative person... I've drawn, sketched, painted, coloured; I've written; I've photographed. I've designed.

A little over a year ago, I discovered the concept of blogging, which has been — for me — a means by which I've written a journal of sorts. Early on, I concentrated on the political scene, thinking that whatever I had to say might have an impact on last fall's election. Alas, it didn't. (Well, I'm pretty sure it didn't... let's hope it didn't! Heh!)

The election results were such a letdown that I've not paid as much attention to the ol' VOP blog on any kind of regular basis... I was so disheartened by the prospect of four more years of the miserable failure that I stopped writing even my more personal essays. I wouldn't say I was depressed, but realizing to my marrow that this country and the world were going to have to somehow survive the misappropriation of patriotism, national pride and justice courtesy of the miserable failure was a bit difficult to bear. I felt a sadness for the world.

Also, for the last several months, my family has been reading my posts... in and of itself that's not a big deal to me, but that things I write here can be misconstrued and misunderstood has bothered me. I've thought about blogging a bit more anonymously, or creating another blog that family wouldn't find, but there's nothing that I write here that I feel I need to run from. I'm just a fellow who wants to write. I just want to write about things I know. Honestly, the only thing I really know about is me and my life.

I had a chat with my sweet friend Rebekah last night thanks to Google Talk. We haven't spoken in over eight months, I'm guessing, and it was such a delight to once again hear the slightly scratchy blend of Saskatoon, Saskatchewan and Savannah, Georgia in her voice. Rebekah is a prolific blogger – despite being so busy with her thesis work, she manages to find time to read books and blog. I've still not finished the John Irving novel I picked up last month (granted, I had a trip out east and a festival to help produce), but still...

That I'm sitting here writing this, though, has much to do with her encouragement and her spirit. Thanks, Ms. B!

The brain is a funny thing, though... for years, I absorbed music. I memorized lyrics to probably every Bob Dylan song that came to light (officially or otherwise), as well as many by John Prine, Loudon Wainwright III, Martin Mull, Neil Young, etc., etc. When I worked for the Michigan State University Instructional Media Center, however, my mind began a shift towards a creativity of my own. I began to study portraiture more seriously — specifically lighting. I bought many books on lighting, as well as books that featured the images of (mostly) commercial photographers. I tried to figure out how they used light to obtain the results they achieved. At the time, I got up the gumption to ask the Lansing Art Gallery's Karen Stock if she'd take a look at my portfolio and give me a chance to have a show at the gallery. She agreed to a date (April/May of 1995) and I went about asking local visual artists if they would pose for me.

The show required a bit more than simply taking pictures, however. I sought support from Kodak (film and photographic paper), the now defunct Photo Conexxion (same), PhotoMart and Custom Photographic (darkroom). I also needed to set up studio space in a couple different locations: the Unitarian Universalist Church in East Lansing, and in my then-wife's ArtSpace gallery/studio/classroom. It was during this time that she wanted out of the marriage, so another fairly ignominious variable was thrown into the swirling pot of emotion and creativity. That I had to shoot her portrait was almost a challenge I didn't want to bear, but I really had no choice — she played a huge role in the inspiration for the project.

As that project came to an end, I seemed to drop photography as my first choice for creative outlet. All of a sudden, songwriting became my medium for creative expression and I dove in as if my life depended on it. In a way, I suppose it did.

For a long time (just about ten years, I guess), I didn't think I'd move away from songwriting — it seemed as though songs were all I knew. Anything that happened to me was turned into a song — whether on paper or merely in my head for a few minutes or hours.

Mingled in amongst all that has happened to me over the course of the last ten years, has been my involvement in the local folk music scene (namely, serving as the booking manager for the Ten Pound Fiddle Coffeehouse), helping to manage the career of an amazingly talented singer from Cadillac, Michigan and (for the last four years) getting a job coordinating the music for the Great Lakes Folk Festival.

As the internet became a part of my life, I've also designed a few websites... mostly folk music-related, one which required doing a Google search for the photograph of a band that I needed for one of the sites.

That led me to flickr.

And my return to photography.

It started out fairly innocently... I had clicked through flickr a few times (from others' blogs — including Rebekah's), but I didn't really experience it until I stumbled onto Marya's flickr page. It hit me like a ton of bricks — photo sharing! Comments, contacts, descriptions... all of a sudden, all of my creative worlds seemed to be colliding. Of course, clicking over to Marya's blog provided further impetus to join flickr, as she so deftly married words with images — with lots of wonderful wordplay.

I wanted to let her (this "emdot" woman) know that I liked her photos, and that I liked her clever, witty remarks about them as well. The email address on her site, however, didn't work, so I had to join flickr in order to leave a comment, which I did. I also wrote her a note using flickrmail. In a return note, she asked me when I was going to begin posting photos to flickr. Since I was yet to purchase a digital camera, my only real option was to begin scanning some of my favourite photos (starting with those from my exhibit) and posting them.

Shortly after that, I borrowed a camera that my son had borrowed from a friend of his and began exploring the digital world a bit. The immediate gratification of digital photography can be very addictive (addicting?), and I soon fell under its spell. In December, I purchased my first digital camera, then went deeper into debt with a bigger, better (though not totally satisfying) model that has 8MegaPixel resolution.

Since I joined flickr, I've posted over 3700 photos and have taken many, many, many more times that! My flickr site has had almost 55,000 views (whatever that really means) and there seems to be no end in site to my af-flickr-iction. I think that what drives me (and others) to post to flickr — as well as spend untold amounts of time cruising others' photos, etc — is the idea that prior to flickr, perhaps only a handful of people would see the photographs I took (my personal ones, that is)... now, I can share them — literally — with the rest of the world. What a concept!

Still, there is this desire to lay down words on paper (or more succinctly, cathode ray tube pixels), so I hope to be doing a lot more of that soon. I have imagined writing a novel one day's worth of blogging at a time, but that hasn't yet seemed to settle into its proper place. Like anyone who loves writing, I believe I have a novel in me somewhere.

Perhaps like flickr, I can use this blog to share that novel with the rest of the world, if and when it decides to rise up and bite me on the ass!

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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