Thursday, March 17, 2005

Words

I have spent so much time with my photography lately that I've not written anything here for close to a month.

Wow! Considering that I used to post several times a day, I feel as though I've gone mute.

Life, of course, plods on, and there is probably plenty for me to write about, but it's a very strange phenomenom to have my brain almost completely overrun by the process involved with creating photographs. Some of it has to do with the physical requirements of photography — particularly when it involves posting to Flickr. My trip to Montreal yielded over 700 images which needed to be pared down to what I felt was worth sharing, then cropped, color/density-corrected, uploaded and titled — a major task in and of itself since I titled everything I shot in Montreal in French!

Since that trip, I've made a couple of long walks 'round town in which I came back with loads more to edit and upload. Everywhere I go, I look with the camera's eye, hoping to see something interesting; looking at the details of this world.

Of course, Flickr is about more than simply uploading photos — at least it's more than that to me. Much time is spent looking at others' photographs and commenting on them... the process is very much a social event that involves people from all around the world. Flickr is truly one of the finest uses of the internet and it has been the place lately, in which I have spent most of my spare time. Okay... maybe not so spare.

I expect I'll slowly but surely begin to find that place of balance with regard to my visual vs. written forms of expression, but for the moment, I feel like I need to follow the photographic flame while it's still hot.

Wednesday, February 23, 2005



I leave soon for Montreal for the North American Folk Alliance conference. I'm intending on bringing back a Gigobyte worth of photographs!

Adieu pour le moment. Jusqu'à ce que nous rencontrons encore...

Sunday, February 20, 2005

Winter When She Goes

black-and-white portrait of Rachel Bissex by Matt Thorsen. She is sitting on a couch with her right leg crossed over her left. Her left hand rests on the ankle of her right leg; her right hand rests at the point where her legs cross. She is looking directly into the camera.
Rachel Bissex by Matt Thorsen

Next week sometime, I'll be going in to WKAR studios to do an on-air review of Tracy Grammer's new solo CD, Flower Of Avalon, and I received an advance copy of the disc from her record label yesterday in order to prepare for the review/interview with Melissa Ingells.

In a very sad twist of fate, I received a forwarded email this morning that announced the death of singer-songwriter Rachel Bissex, someone I knew, albeit not very well. What little I knew of Rachel I liked. She was a wonderful, warm person with an undying giving nature. A sweet, sweet woman blessed with many, many friends.

Last week, as news came to me of her failing condition, a haiku (of sorts) stumbled out of me:

her flame's hot, white dance
trembles 'round the waning wick
before burning out.

And today, as I read the last few words of this morning's email, the first notes and words of Tracy Grammer's "Winter When He Goes" began filling the room and my ears and, eventually, my eyes.

WINTER WHEN SHE GOES*
by Dave Carter

As the sun is to the city
In the endless weeping winter
So is joy to me in pity
When she leaves me falsely tender
Like the true love's knot we tethered
Plastic ivy 'round the portal
For to frame the spring forever
Though the blizzard took the mortal holy rose
It's always winter when she goes

As a matter of convenience
We don't speak of dying gardens
As a man of heart and lenience
I make liberal with my pardons
I am generous with kindess
She with smiles and exaltations
Though she binds her wounds in silence
I my own impracticed patience
Lest she know
It's always winter when she goes
It's always winter when she goes

She collects the twigs and briars
I stack them up for fire
But it's chilly for the burning

She slumbers in the straw
I hold out for the thaw
For the seasons won't be turning

As I'm writing you this letter
The blue stem's running riot
The daisies break their fetters
And the bees will not lay quiet
If you find her where she's dancin'
With her lover or her jailer
Say in April's splendid mansion
I lay broken by her trailer in the snow
It's always winter when she goes
It's always winter when she goes
It's always winter when she goes

*Tracy has sung (and recorded) the song using the "he" pronoun, whereas Dave originally wrote the song as "Winter When She Goes" — I've opted to use the original form here.

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Thursday, February 17, 2005

20

Black-and-white close-up photograph of my infant son's face.

Twenty years ago yesterday, my first child was born.

I recently asked my mother about the day I was born and got very little from her other than the date and the hospital — information, you might be surprised to know, I already knew! Perhaps my birth wasn't particularly memorable. Perhaps the third pregnancy was little more than like having a wart removed... I don't know.

My memories of Zachary's birth day begin about nine months earlier. Certainly we couldn't be sure, but Penny and I will always believe that Zach was conceived in a cheap motel in the Chicago area, where we had traveled for my cousin Peggy's wedding — the Brer Rabbit Motel. As my friend Caro might say, Appropriate that.

Flash forward to February 15, 1985... Penny and I went to her monthly doctor visit and her doctor was on a call at the hospital, so Penny was checked out by the nurse. Penny was feeling a bit of discomfort that day and the nurse suggested that we check her into the hospital, that she'd begun to dilate.

Sparrow hospital was practically across the street from the doctor's office, so we headed there and checked in. After what I recall was a fairly long wait, Penny was checked by a staff nurse and we were told that she had barely begun to dilate, that we should go home and come back at a later time. So, off we went.

Later that evening, at 9:00 or 10:00, I believe, Penny began feeling more uncomfortable and again we headed for the hospital. Again, we were told that it wasn't quite time yet, that we could check in to the hospital if we wanted to, but that the baby wasn't going to be born until the next day sometime.

Before we left, the nurse told us that she'd be on duty until 7:00 the next morning, and that we should call her prior to her getting off shift. She told us that she (as well as other prenatal nurses) were trained to recognize the breathing patterns pregnant women make, and that she would be able to tell how far along in labor Penny was based on what she could hear over the phone.

Penny had a rather fitful night's sleep (as did I, then, of course) and at about 5:00 we got up and Penny took a warm shower — also at the behest of the nurse. Just before 7:00, I called the nurse and got Penny on the phone, who described what she was feeling. The nurse told her that we should plan on coming in to the hospital at about 11:00am.

That sounded fine with me. Penny wasn't so thrilled. She was in pain and she wanted it to be over with. Assuming that the nurse knew what she was talking about, I made coffee and puttered around waiting for 11:00 to roll around. Frankly, I was rather nonchalant about the whole process, but I was relying on my instincts. I moved purposefully slowly that morning. I thought it was silly to rush to the hospital again only to have to be told nothing was happening. Penny was uncomfortable but she wasn't in agony.

She was, however, getting upset—rightly so—that I wasn't overly concerned about her condition. What can I say? I seriously felt that the time hadn't come yet and tried to be calm about it all.

I really can't recall why, but Penny had asked our friend Linda to accompany us in the birthing room at the hospital. Perhaps she didn't think I would come through as her breathing coach... I don't know. She called Linda over to the house at about 9:00, probably figuring that she'd have to rely on Linda to get her to the hospital.

Fuh!

At about 10:30, Penny was getting extremely antsy about getting to the hospital. I decided to pour a last cup of coffee, and told her that we'd leave once I finished the coffee. I nursed the coffee, again with 11:00 as my target time for hitting the road. I think I finally gave in at about 10:50 and off we went to Sparrow Hospital.

Penny was checked in and it was determined by nurses that she still hadn't dilated more than a centimeter or two, so we whiled away the time. I made several phone calls to relatives to let them know things had begun to happen and to expect news soon. Penny's family all lived within twenty miles of the hospital, and most of them would make their ways to the hospital before long.

All the while, of course, Penny was experiencing increasing discomfort. Our original plan was for her to go drug-free for the birthing, but at about 12:40, she decided that she wanted the demerol.

At about 1:10, I was on the phone with Penny's sister Clarice, when Linda found me and told me that things were happening. I returned to the birthing suite where I was handed my scrubs and I washed my hands. I was told that within about twenty minutes of being given the demerol, her dilation shot up to ten centimeters. My memory is that at about this time, the doctor made her first appearance in the room. (Apparently, she had a couple other deliveries that day as well.)

The hard labor went fast. The really serious labor began at 1:11 and by 1:26, Zach was born. Throughout the process, Penny had me in a death grip as I helped her breathe through it all. As Zachary squirted into existence, my eyes watered at the wonder of it all. It truly is one of the most amazing things to witness the beginning of a life.

Zach was 9 lbs, 8.5 oz. He looked a lot like my dad when I first saw his face. As he has grown up, his looks have changed... for a long time I thought he was the spitting image of me as a kid, but his face has elongated, he has the jawline (and teeth structure) of his mother, as well as her eyes (though they differ in color—his blue versus her brown)—he has beautiful eyes!

He has always been a talented artist, having inherited his mother's ability to see what he tries to draw. He loves baseball in general and the Detroit Tigers in particular. As baseball memories go, one of my earliest and fondest occurred during the 1986 World Series. Zach was a over a year-and-a-half old and I was watching the Series on television in the apartment Penny and I originally lived in after moving to Lansing from Toledo. At one point during the game, Zach ran a couple of circles in the living room in front of the TV then SLID! It was the funniest thing to see.

My relationship with Zachary has been going through a number of transitions since his mother and I divorced... he's still trying to find his way in this ever more complicated world and I'm trying to find my way with him, trying to be there for him while he goes through his current difficulties with money and roommates; trying to bite my tongue about his wretched smoking habit and his fondness for drinking beer; continually urging him to rely on himself to find his way out of his confusing times.

Last night, we had dinner at Lou & Harry's in East Lansing and he went through the laundry list of problems he and his roommate have been having and I sat with tongue firmly between my teeth as he told me all the details, all the ideas for digging out of his financial troubles. Two months ago, he had a job he liked, was being paid well and decided to move into his own place. The problem is that the job was seasonal – it was scheduled to end in early January. He had expected to get work with connections he'd made while working at Meridian Mall, but they haven't panned out.

His roommate is also unemployed and has been nothing but irresponsible for the last two years (as best as I can tell). They're both great kids who can't seem to right their listing ships and all I can really do at this point is watch and hope and perhaps make a few phone calls.

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Tuesday, February 15, 2005

Blog Errors

I am paying less and less attention to the blog here as I spend more and more time at flickr, but I've also had trouble posting for some reason. I have a fairly long post in the offing, and I hope to upload that soon.

If this makes it through okay, I suspect more will follow later.

Wednesday, February 09, 2005

Blog Problems

I don't know what was going on here for the last few days, but when I dropped by to check in on stats yesterday, I noticed that my post from over two weeks ago was the most recent one available. After failing to republish the entire blog, I sent a note to Blogger. They must have fixed something as I'm back up and running at the mouth!

Friday, February 04, 2005

Dancing In My Head (Eddi Reader, Part II)

Photograph of me moving my head during a long exposure Dancing In My Head — ©2025 Patrick T. Power

I was particularly enjoying Eddi Reader's "All Or Nothing" this morning (actually, I've played it virtually non-stop since last night!) and wondered if I might get to capture a bit of what I was feeling with the camera...

The song is from Eddi's second release as a solo artist (that is, post-Fairground Attraction), Mirmama, a word that combines the Yugoslavian word for peace—mir and a common expression for mother.

Those who know me also know that dancing in public is a rarity for me unless alcohol is involved, and I catch quite a bit of flack for not partaking in the organized dance activities that my folk music organization puts on. I don't know what it is, but I've not been interested in going anywhere for the explicit purpose of dancing since high school. The last time I danced in public was probably five years or more ago when I was seeing the lovely Audrie. We danced in front of the main stage at Blissfest as if there were no one else around. I was seriously in love then, and it was the pull of her eyes and her sweet face that lifted me from the ground.

ALL OR NOTHING

By Eddi Reader

aye-ya

I whistled a tune called "Lazy" and I tiptoed a very tight line
all of the time walking backwards, all of the time I was blind
and the only voice I was hearing was yours inside my head
saying "Get yourself back to the kitchen girl,
one true move and you’re dead"
but, I, I, I found out it's all or nothing

all of the time he fiddled, I danced to the dark of his breath
too lazy to crumble and jumble there, over and over he played
and the only sound I was hearing was the one inside my own mind
saying "Get yourself back to the kitchen sink girl,
you’ve blown it one more time"
ah, I, I, I found out it's all or nothing at all

{bg vocal: yes it's over, once you've lost it}
nothing's changed, yes it's over, still you breathe

I whistled a tune called "Crazy" and I tiptoed a very tight line
faltered ever so slightly, all of the time I was blind
and the only voice I was hearing was the one inside my head
saying "Get yourself back to the kitchen girl—
fly to the moon instead"
I-ah, hiya... I found out, it's all or nothing
I-ah, hiya... I found out, it's all or nothing
yes, it's all or nothing at all

fly me to the moon, let me go

nnn-nn-nn-...
ah-ha, ah-ha
higher, higher
fly me to the moon, let me roll among the stars
higher, higher
higher, higher

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Thursday, February 03, 2005

"Keep Romance Alive!"


Eddi Reader
I love Eddi Reader!

Every now and then a musician comes along that simply yanks my feet to the stars, and Eddi Reader is certainly one of them.

A number of years ago, Eddi's name was bantied about on a discussion list I belong to, so I checked her out, then bought her then current CD, Angels & Electricity. I was mesmerized by her voice, and I must have left "Bell, Book and Candle" on repeat for weeks!

As with so many of the artists I go gah-gah about from time to time, I spend months listening to their CDs — practically exclusively — then will go months without listening to a single track. But I always eventually return and rediscover everything that hooked me in the first place.

Lately, I've been listening to Eddi as lead singer with the 1980s British pop band Fairground Attraction (Eddi is a Scot). Mark E. Nevin was the primary songwriter for the group (and a great songwriter he was!) but Eddi was the focal point. She might not have written many of the songs, but the songs were hers once she sang them.

Eddi is probably the finest singer I have ever heard. Her instincts are impeccable. The songs come from a place so deep inside her that that it's hard to truly separate her from the song as it drifts from her lips.

Check out Eddi with Fairground Attraction: Moon On The Rain (please right click and save to your computer)

Wednesday, February 02, 2005

Meeting The Governor

Last Friday was a rather hectic day, spending most of the day between here and Midland with Julie, then getting back in to town and having to help put on the Danú concert that night.

I arrived at Hannah Community Center and found the band waiting... They were irritated that they had been in town for a few hours but hadn't been informed as to their hotel accommodations. I had left a message on one of their cell phones the day before to call me so that I could give them the details but they said no such message existed.

This was not a very good start to the evening, so I began to think back on the nightmare I'd had about the concert the previous Monday night. In my dream, it was after 8:30pm the night of the show and the band was yet to do their sound check. People who had come to see the show were leaving in disgust; leaving in droves.

Once the band was loaded in, I got them off to the hotel with the plan that they'd be back by about 6:55 for sound check. They indeed arrived by that time, but our crew still wasn't quite ready for them. So, sound check ran a bit longer than planned or desired. People began lining up quite early – before 6:30 and due to the delay, had to wait until 7:55 to get in to the theatre.

As house manager, I decided to make the people wait outside the theatre's foyer – in the hallway/lobby of the community center. My thoughts were that our gate manager, Rita, needed some space – physically and mentally – so I opted to maximize that space so that she could set up and prepare for the oncoming onslaught of people we expected.

During that spell, a rather tall fellow walked into the foyer. He looked rather serious and interested, but he walked past me and Rita and towards the utility area of the theatre. He stopped and came back to me, then introduced himself as he pulled a wallet out of his inside coat pocket and flipped it open revealing a badge. He flashed the badge at me so quickly, and rattled off "Michigan State" something, I thought to ask him to show it to me again... but I didn't. He informed me that Governor Granholm would be attending the concert and that he was there to prepare for her arrival. He wanted to select seats for her and her husband as well as for two additional security people.

Upon selecting the seats, he said that the Governor would arrive very close to 8:00 so as not to create a stir amongst the audience. In actuality, she arrived at about 7:30 and after shaking her hand and introducing myself, I ushered her in to the theatre. This happened in clear view of people waiting to get in, so I was a bit antsy as she greeted someone in the lobby as it increased the likelihood that regular attendees would see her and make a fuss.

The Governor was treated to the last ten minutes or so of Danú's sound check before I was able to allow the rest of the audience in. Later, during intermission, I stopped by her seat and gave her a Fiddle calendar for future reference and joked about putting her on the email list. She asked for my name again – and I walked away not to speak with her again. I was pleased to see that she stayed for most of the show... I think she left just prior to the band's encore.

Groundhog Day

I've got no real reason for posting about Groundhog Day or groundhogs, for that matter, but the local news just made mention of the nonsensical competition between two groundhogs, Punxsutawney Phil and some other one I'd never heard of before. Hell, I can't even recall what name!

I've not been posting much of late as I've been seriously trying to catch up with work I need to do for the Great Lakes Folk Festival, a few other websites and my addiction.

I've also been on the road a bit... I went to Midland, Michigan with Julie, a colleague at the MSU Museum to deliver a weaving exhibit to the Midland Center For The Arts. Midland is the home of Dow Chemical and one of the most dioxin-polluted landscapes in the state, if not the country. I wondered, as we crossed the Tittibiwassee River just how much chemistry has been absorbed by the land and subsequently by people who have lived there over the years.

I wonder how many cancer-riddled employees of Dow have supported, and will continue to support their employer's "right" to contaminate everything in sight despite the health risks — all because their jobs depend on a successful Dow Chemical.

If there is a recurring thought in my head, it's about how we have allowed ourselves to become slaves to commerce. It used to be that commerce was an exchange between people within communities — more as a necessity, a life support model for all parties involved. The profit motive, however, has screwed up all that.

Since seeing Ridley Scott's Alien years ago, I have believed the film to be a metaphor for big business and its modus operandi, which is—put quite simply — profit at all costs. Corporations such as Dow are much like the alien creature in that film — they have lives of their own. They must be fed to survive... they feed upon people and the environment. Executives have no other concern beyond the lives of their respective corporations — again, at all cost.

It's sickening. It's sad. It's fatal. And as far as I can see, there's no turning back. We are addicted to this way of life — "it's the economy, stupid!"

 

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Unless otherwise noted, all writings on this blog are copyright Patrick T. Power. All rights reserved.

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Wednesday, January 26, 2005

Memory

I've always thought that I've had a pretty good memory. I recall events from as far back as forty-five years ago, although my short-term memory has been taken over by too much information and a life of scattershot interests.

As I was reading the third chapter of The Bell Jar this afternoon, Plath's telling of her times in graduate school brought on a memory about memory.

I believe that it early 1978... One day, in Psychology 201 (Intro to Psychology) the instructor took us through an exercise involving long-term memory. On the blackboard he wrote:

1. Command
2. Spider
3. Girls
4. Trouble
5. Eagle

then proceeded to show us how to remember them. Basically, the idea was to take the number, rhyme it with something, then figure out a relationship between the rhyming word and the word to be remembered.

One rhymes with bun — "Get your buns in here!" is a command;
Two: shoe &mdash "spider in your shoe" is an old expression (or so I was told);
Three: tree — "girls drive you up a tree" (my contribution!);
Four: door — doors give you trouble (I guess.);
Five: hive &mdash bees live in hives... eagles have wings &ndash just like bees (another of my contributions).

Monday, January 24, 2005

Johnny

My father died a few days after Johnny Carson's last show... I watched the last show while in the hospital waiting room, which was my makeshift hotel room for a few days.

Dad didn't care much for watching The Tonight Show, always complaining about Carson's "dirty jokes" — like he'd never told any!

Thankfully, he would go to bed at about 11:30 anyway, so we'd still be able to watch the show.

I think that he was more turned off by Ed McMahon, actually, and I'd like to believe that one of his better moments while in the hospital was when I told him that the show was going off the air — that Mcmahon was losing a job.

Of all the many laughs I enjoyed watching the show, my favorite Carson moment took place when Richard Pryor made his first public appearance after he'd suffered major burns from a fire. As Johnny was about to go to commercial, he reached over (as he often did with guests) and lightly touched Pryor on his forearm.

Pryor then recoiled and howled as if in pain and Carson about crapped his pants as he thought he had done something to hurt Pryor. The look on Carson's face at that moment was priceless, as was the look of relief when he realized Pryor was joking.

Most Depressing Day

According to a formula created by a part-time tutor at Cardiff University in England, today — January 24th — is the most depressing day of the year.

I don't like Monday 24 January


January has been long regarded as the darkest of months, but a formula from a part-time tutor at Cardiff University shows it gets even worse this Monday.

Foul weather, debt, fading Christmas memories, failed resolutions and a lack of motivation conspire to depress, Cliff Arnalls found.

GPs say exercise and reading up on depression are ways to beat the blues.

"Yes, we do see lots of people with depression and anxiety in the winter months.

"The message is it's not a terrible disorder, people do get better," Royal College of General Practictioners spokesman Dr Alan Cohen said.

"Exercise and bibliotherapy - reading a number of books to allow people to understand their own symptoms and how to control them," were initial treatments, he said.

The formula for the day of misery reads 1/8W+(D-d) 3/8xTQ MxNA.

Where W is weather, D is debt - minus the money (d) due on January's pay day - and T is the time since Christmas.

Q is the period since the failure to quit a bad habit, M stands for general motivational levels and NA is the need to take action and do something about it.

Dr Arnalls calculated the effects of cold, wet and dark January weather after the cosiness of Christmas coupled with extra spending in the sales.

Saturday, January 22, 2005

"Oh, I am fortune's fool!"


Husband Commits Suicide, Then Wife Wakes from Coma


ROME (Reuters) - An Italian pensioner committed suicide after his wife fell into a coma, but just hours after he killed himself the woman woke up, Italian media reported on Saturday.

Recalling the end of "Romeo and Juliet", the 70-year-old man, Ettore, who had sat by his wife's bedside for four months after she slipped into a coma following a heart attack, finally gave up hope and gassed himself in the garage of his family home.

Less than a day later, his wife, Rossana, woke up in her hospital bed in Padua and immediately asked for him.

The northern town of Padua lies just 40 miles from Verona, where star-crossed lover Romeo killed himself believing Juliet to have died. But minutes later Juliet woke up and seeing Romeo dead, stabbed herself.

Wednesday, January 19, 2005

Violencing?!?

During CBS News' Up To The Minute overnight news program, Ibrahim Hooper, National Communications Director for the Council on American-Islamic Relations (CAIR), was speaking of the bad image that Muslim people have due to the "violencing" by a few.

Is no noun safe from being turned into a verb?

Doesn't it just make you want to go out and violence someone?

Jaysus!

Tuesday, January 18, 2005

Creative License

I am probably as bad as it gets when it comes to being obsessively pursuant of good grammar, proper use of words, proper pronunciation, etc.

I also understand, however, that there is such a thing as creative license, that is, the misuse of words intentionally because of the effect that they might create.

I was just thinking how Paul Simon's song "Homeward Bound" is a perfect example of creative license. The song just wouldn't be the same if Simon were to be grammatically correct. "I wish I were homeward bound", while grammatically correct, doesn't sound as good as "I wish I was homeward bound".

That said, had that line not been the chorus, and had the structure of the song not been so that there was a couple of beat delay between "was" and "homeward bound", I might think differently.

Context.

Loss

ALT TEXT OF IMAGE HERE
by colorlogan1

Yesterday, as I was reading the second chapter of Sylvia Plath's The Bell Jar, I was struck by a thought as she was describing her character's love of taking hot baths. She gave cursory mention to styles of tubs, specifically mentioning griffon-footed tubs.

The thought came about, possibly, because I'd seen this photograph recently as well. In my comments on the picture at Flickr, I mentioned that seeing the photo made me imagine the handiwork of the people laying the bricks; looking at the photograph, I can almost feel the personal contribution of those who built the structure—brick by brick—whereas today's buildings don't create such a feeling in me.

Getting to the actual thought I got while reading, though...

I wondered how much creativity has been lost since we became this overly consumerist society. Everything now is so mass-produced with the idea of (supposedly) keeping the costs down, that there is hardly any true craftsmanship or artisanship (a word?) required.

Not that that—in and of itself—is such a bad thing (although I can't really see all that much good that's come out of it), but I mourn the fact that we have sacrificed so much of our creative energies for the sake of profits and so-called efficiency. I have imagined all the men and women who have come and gone since we have decided that profits are more important to us than is value. What might they have contributed had their creative skills been desired, encouraged, and appreciated?

Is there really any wonder that everyday Americans don't seem to truly appreciate art or the artists who create it? Is it any wonder that art programs are the first things to be cut from state and federal budgets?

People don't appreciate art or creativity because they have been trained not to. They have been trained to produce things instead of creating them. Our appreciation for others' creativity is little to none because our creativity hasn't been nurtured in this society.

In the United States, it seems, that which makes us human—our minds, our intellects, our creative instincts—have been stifled and stepped on. Truly the best part of us—as a people, as a society—has been minimized; reduced to a mere memory recorded by a photograph. What we treasure—if today's spate of "reality" television shows is any indication—is backstabbing and manipulation; our worst traits are rewarded. Our truly creative, cooperative abilities are discouraged.

"Those were the days," we might say. Another generation away, I wonder what will be said when there is very little of value standing.

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Monday, January 17, 2005

My Latest Peeve

Today, My Friend Flickr was scheduled to be down for the purposes of physically moving their servers in anticipation of an expansion. Leading up to the downtime, they had posted a message at the top of the website that indicated that the outage would be from "12pm to 5pm"...

I sent them an email informing them that there is no such thing as 12pm (or 12am for that matter) and I got the following response:

"12 p.m. exists as far as I know. It means 12 noon - 5 p.m. PST on Sunday (5 hours total)."

This evening, I walked up to the corner store and there was a sign posted on the door with their new hours: "6am to 12pm". As I walked out, I mentioned to the woman, "There's no such thing as 12pm, you know." She chuckled, but I don't think she understood...

There is a 12 Noon and a 12 Midnight — there is no 12am or 12pm.

It appears, however, that Blogger is deserving of an email as well! (see below)

Edit to add (19 June 2024):Now that I live on the West Coast, the time stamp on this post is 9:00 p.m. versus the original 12:00 a.m. (!!!)

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Sunday, January 16, 2005

Liberty

Are we losing our face as a nation? Has the United States of America become such a melting pot that we have lost any sort of identity?

Are we the self-centered, bombastic bastards that mock the country of France for taking a moralistic stand against aggression or are we the charitable people that are ready to lend a hand in time of need, regardless of political or religious persuasion?

It's unclear to me why we can't always (or at least more often) be the latter.

It's unclear to me why our so-called leaders feel the need to denigrate and belittle such countries as France. What has the United States—as a nation, as a people, as a picture of democracy—gained by mocking the French as the miserable failure did with his reference to french fries as "freedom fries"?

Why didn't he simply look out to the Statue of Liberty in New York Harbour and say, "Send it back! We don't need it anymore."?

No doubt Bush's intent was to light the fire under the worst element in this country – those whose deepest thoughts would have trouble filling even one of the bumperstickers on their gas-guzzling cars and SUVs; those who think Toby Keith's songwriting poses are an act of patiotism and heroism.

George W. Bush is all about polarization: "You're either with us or you're against us." He appeals to the baser instincts in people—instead of appealing to the more charitable, side.

As always, Sydney J. Harris had something to say about this...

Hate Is Simple, Love Complex

WE THINK OF OUR EMOTIONS as being either positive or negative — love, on the one hand, or hate, on the other. But there is another important way in which emotions divide: They are also simple or complex. And this is what creates much of the trouble in the world.

Love, for example, is difficult to sustain not because it is a positive emotion, but because it is a complex one. Hate is easy to maintain for a lifetime, because it is a simple one.

That is, love requires the addition of other elements in order to play its proper role; it needs understanding, patience, tact, the willingness to be hurt or disappointed from time to time. Love alone, in its simplicity, is not enough to carry the burden of relationship.

Hate is a totally different matter; it is not the opposite of love. (As St. Augustine pointed out long ago, indifference is the opposite of love.) Hate is a supremely simple emotion that makes it enormously attractive to a certain type of mind and personality.

First, hate makes no demand on our mental processes, and doesn't call on us to expand or change our views. In fact, it tends to remove doubt, and gives us a sense of decision and a feeling of righteous well-being.

It doesn't call on any of the other emotions for support; in-deed, it puts them quite out of court. It rejects understanding, despises tact, condemns patience, and will endure no hurt or disappointment without quick revenge.

Besides being the simplest of emotions, hate can also be the most fulfilling for a certain kind of person, because it provides him or her with a meaning to life, something to oppose, to blame, to relieve the sense of frustration or failure.

Most of all, because of its seductive simplicity, hate seems to remove the need for reasoning (an intolerable burden to many people) and for any of its auxiliary efforts, such as reading, analyzing, estimating, and judging. Hate has only one function and only one object.

Love might be compared to the building of a tall and elaborate sandcastle, taking many hours of painstaking effort, cooperation, balance, and persistence; and hate might be compared to the foot that comes along and with one vicious or thoughtless kick destroys in a moment what has been built up.

There is so little love in the world compared with the amount of hate — both expressed and latent — not because it is harder for us to be positive than negative, but because it is harder to combine and coordinate a complex emotion in a creative act than to live blindly by blaming and attacking some "enemy" for our dissatisfactions and disappointments. It takes a dedicated genius years to build a great cathedral; any desperado can bomb it to obliteration in a second. Why shouldn't hate, being so much easier, be so much more popular?

Somehow, "dedicated genius" is not a phrase I would use in describing George Bush; miserable failure, yes.

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Friday, January 14, 2005

Downtime

Photo of a man walking with a cane and holding an umbrella walking with his back to the camera as sleet fallsSnow Shower — ©2025 Patrick T. Power

This blog has been down for a day or so due to something going on with my webhost... They've not been at all responsive to my emails about this or any other of my sites, so I'm thinking of changing webhosts.

I have a friend in California who sells hosting, but I'm not so sure I'll be able to pay him a fair price. He's offered to give me a break, but I'm still not so sure I can make it fair for him. I got a tip from another friend last night about a reasonably-priced hosting service; a responsive one at that. I'll have to seriously consider it.

Because of the black-out blog-wise, I lost whatever urges I might have had to write. I've taken a lot of photographs recently, so I've been spending a lot of time editing them and posting them at Flickr. I've also recently figured out how to get reasonably good scans of slides using my flat-bed scanner and its backlight adapter for transmission scans.

I interviewed for a job on Monday but tanked it, I'm quite sure. During the interview, I sort of realized that the job wasn't quite suited for me anyway as it seemed to have a bit too much administrative work to tend to... In the last couple of years, I've begun to lose the best of my organizational skills (probably not very strong at best anyway!), and I'm not the detail-oriented person I once was. At least, I don't feel like I am. Too many cracks have developed in my life and I somehow keep finding every one of them into which to lose stuff.

Anyway... I doubt I'll get called back for a second interview and, frankly, I'm not so sure I'd accept the offer to interview if it came. I'd prefer to not pose as something I'm not just to get a job (despite my serious need for cash these days), but jobs that are perfect matches for me seem to be fewer and further between these days.

The weather has been rather goofy... We had a couple of days of 50-ish weather and the almost two feet of snow we recently had dumped on us completely melted. Yesterday, as I came home from snapping a few pictures and picking up some groceries, the snow started coming down like crazy and we've got an inch or two on the ground again. The photo above was taken from my balcony and I was thrilled with the way it turned out. I was dinking around, taking a photo of line patterns on the balcony when the fellow apartment dweller happened by.

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